Does anyone have a title/author for this dance? I am sure that it must
exist. If not, it is called JuneApple by me!
A1 Neighbor balance and swing
A2 Long lines forward and back, ladies chain
B1 Partner balance and swing
B2 Circle left 3/4, balance and pass through along
Michael Barraclough
www.michaelbarraclough.com
I've been toying with a very partner-centric dance I've named for my wife
Sage. Below is the original (successfully tried) and two new variations I
hope to try out soon.
The AFAIK unique A1 Mad Robin to A2 slide left transition I originally had
as a slide on the left diagonal to diagonal waves, but it proved nearly
impossible to teach without a demo. The revised dance achieves effectively
the same result with more familiar calls to make for a more conventional
walk-thru. The variations try to further improve call familiarity by
omitting the "hook".
Thanks to Lynn Ackerson for pointing out there being a shadow in the wave.
-Don
Sweet Scent Of Sage v1 – DI – Don Veino
A1
(4,4) N Bal. & Star Thru *(or Box the Gnat)*
(8) Mad Robin *(G start in Middle) – **ID shadow on Lt. Diagonal**.*
A2
(2,2) *w/N* Slide Lt. to short Wavy Line
*Slide Lt.,G Allem. Rt. in ctr, take Shadow in LH, facing P in next wave*
(4,2) Wave Bal. *Fwd/Back*, Shdw Lt. Pull By *to P*
(6) P Lt. Hook & SF Prom.* *Across the Set*
B1
(4,12) P Bal. & Swing
B2
(8) LLFB
(8) LH Across Star, L Drop 1/2 Way
*& L Loop/Turn to Face Progression*
**Lt. Hook & SF Promenade: Similarly to the “hook” in A Rare Bird, L Gypsy
P Lt. ~1/4 to face in & crosses the set. G eff. Gypsies ~3/4 & follows P L
straight across set (pass N by Lt. shoulder). Like a SF Prom. CCW 1/2 with
the L lead and G looping Lt. at the start to follow them. Written Aug 2012
for Sage Veino.*
Sweet Scent Of Sage v2 – DI – Don Veino
A1
(4,4) N Bal. & Star Thru *(or Box the Gnat)*
(8) Mad Robin *(G start in Middle) – **ID shadow on Lt. Diagonal**.*
A2
(2,2) *w/N* Slide Lt. to short Wavy Line
*Slide Lt.,G Allem. Rt. in ctr, take Shadow in LH, facing P in next wave*
(4,2) Wave Bal. *Fwd/Back*, Shdw LH Pull By *to P*
(2,2,-) P Pass Rt. *Along the Set* & N Pass Lt. *Across Set to P*
B1
(8,8) P Gypsy & Swing
B2
(8) LLFB
(8) LH Across Star, L Drop 1/2 Way
*& L Loop/Turn to Face Progression*
*Written Aug 2012 for Sage Veino, this variation March 2013. Could let
dancers know there is “extra” time at the bottom of the A2, no need to
rush. Can start Gypsy early.*
Sweet Scent Of Sage v3 – DI – Don Veino
A1
(4,4) N Bal. & Star Thru *(or Box the Gnat)*
(8) Mad Robin *(G start in Middle) – **ID shadow on Lt. Diagonal**.*
A2
(2,2) *w/N* Slide Lt. to short Wavy Line
*Slide Lt.,G Allem. Rt. in ctr, take Shadow in LH, facing P in next wave*
(4) Wave Bal. *Fwd/Back*
(2,2,2,-) Shdw LH Pull By *Along Set*, P RH Pull By *Along Set* & N LH Pull
By *Across Set to P*
B1
(4,12) P Bal. & Swing
B2
(8) LLFB
(8) LH Across Star, L Drop 1/2 Way
*& L Loop/Turn to Face Progression*
*Written Aug 2012 for Sage Veino, this variation March 2013. Could let
dancers know there is “extra” time at the bottom of the A2, no need to rush.
*
I like a dance my friend JoAnn Koppany wrote called "Ride the Wave to Love" because it has 2 partner swings
Ride the Wave to Love by JoAnn Koppany
Duple Improper
A1 Balance neighbor, box the gnat into a
Wave balance (along the lines), Allemande left the next (in your hand) 3/4 into a
A2 Wave balance (across the set, women in middle)/Women allemnade right to partner
Swing partner
B1 Half hey
Swing partner again
B2 Balance partner across set and half square through
Balance partner across set and half square through
>
>
>
> Today's Topics:
>
> 1. dances with ultimate partner time (JoLaine Jones-Pokorney)
> 2. Re: dances with ultimate partner time (Ron Blechner)
> 3. Re: dances with ultimate partner time (Michael Fuerst)
> 4. Re: dances with ultimate partner time (Michael Fuerst)
>
>
> ----------------------------------------------------------------------
>
Hi,
Recently I ran across the barndance in the Disney cartoon "The
Martins & the Coys" segment of the "Make Mine Music" series (about 4:50
into the cartoon -- [1]http://www.youtube.com/watch?v=XtyUycHvYls). I
liked the "moving arches" figure so I tried it out on my Int'l dancers
and they really enjoyed it. They much preferred it over Dip & Dive (so
did I). In consideration of my more moderate humans, we didn't do the
dance exactly as shown in the cartoon (see below). But I'm wondering:
(1) Is the dance in the cartoon a particular dance? (2) Is there
another name for the moving arches figure? (3) Do you have other dances
that use that figure?
There are a lot of options as danced in the cartoon, of course, but
since I had four couples and wanted to keep it to regular AB length,
this is what turned out to work well. It was fun and fairly simple
dance but it did require keeping the set tight and moving as there was
no "recovery" time. I think it would be fun with three couples and
another swift round.
Disney "The Martins & The Coys" Barndance #1 - four couple longways
A: Moving Arches -- Cpls 2,3,4 make arches & move up as Cpl#1 faces
down and goes thru arches to bottom.
At botttom, turn & join arches going up. At top turn & go thru arches
to bottom. Keep moving. Two rounds back to original place.
B1-8: Cpl 1 -- Thru Arches to Bottom
8: Hands 4 -- Circle Left (top 2 cpls and bottom 2 cpls)
B2-8: Partner -- Right Arm turn
8: Neighbor -- Left Arm turn
March cheers! Sue Robishaw, U.P. of Michigan
References
1. http://www.youtube.com/watch?v=XtyUycHvYls
Hey Folks,
I do enjoy dances with good partner interaction...but I have a lot of
those. What I am interested in now is contra dances with minimal partner
interaction. No. Not dances without a partner swing. (That would likely
engender too many complaints.) I'm looking for dances with eight or fewer
beats of partner swing, total, for the dance..
Yes. A four-count partner swing would work. But often the better choice
is one with ones-only swinging or twos-only swinging, (so the partner swing
count for the entire dance is lower overall).
I am particularly interested in easy-to moderate contra dances with good
neighbor interaction (including neighbor swings).
Thanks,
Greg
Santa Cruz, CA
*******************
On Sat, Mar 2, 2013 at 1:11 PM, JoLaine Jones-Pokorney <jolaine(a)gmail.com>wrote:
> Hi all - I'm looking for dances that have LOTS of partner interaction.
> What are your favorites?
>
> --
> JoLaine Jones-Pokorney
>
> "We are as gods and might as well get good at it!"
> - Stewart Brand
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
Lady Walpole's Reel would qualify for minimal partner interaction:
Note that there is no partner swing, and not much other partner
interaction.It is said that this dance was composed by Lady Walpole,
who, for social reasons,had to dance with her estranged husband, but
wanted to spend as little time with him as possible.
*A1:Neighbor Balance & Swing *
*A2: #1s down the center, turn alone, return and cast around #2s *
B1: Women Ch across & back
B2:Promenade across; Right and left through thru back.
**
e.
I'm not sure that there is an "ultimate partner time" dance. It is all
personal opinion. Almost any dance can be a great partner dance if it has good
choreography, good music, a willing partner, and neighbors who are also into
the groove. I think it is a partner thing, not a dance thing. I have had
great partner time dancing simple dances and lousy partner time dancing "hot"
dances.
John B. Freeman, SFTPOCTJ
Hi all - I'm looking for dances that have LOTS of partner interaction.
What are your favorites?
--
JoLaine Jones-Pokorney
"We are as gods and might as well get good at it!"
- Stewart Brand
Emily,
If your dancers aren't used to out of set dances, be sure to warn them
not to get too relaxed when they are out at the end of the set.
Someone will be coming to them at an unexpected time and if they are
used to relaxing or socializing while they are out at the ends they
will be caught off guard.
In both dances below, after dancers are in Becket, have them take
hands in long lines to ID shadow. In one hand is partner, the other
hand has the shadow.
A couple I like
Groundhog Daze Becket
A1 Shadow gypsy
Partner swing
A2 Circle left 3
Balance the circle, 2's arch, 1's dive thru
B1 Next neighbor balance and swing
B2 Long Lines forward and back
Ladies pull by right, partner allemande left 3/4
Run Rooster Run II Becket
A1 On left diagonal, gents pass right and swing your next neighbor
A2 Ladies chain
Left hand star once around
B1 Partner balance and swing
B2 Right left thru
Long Lines forward and back
In Run Rooster Run, while you have the dancers in long lines
Identifying their shadows, also have the guys look straight across at
their current neighbor, then left to the next neighbor gent they will
pass right shoulders with and then one more place left to ID that
next neighbor they are going to swing.
Good Luck,
Jim