Roger Hayes said "Mention must be made of "Wizard's Walk". (Was it
written, or found?)"
It was written by Ruth Ungar. The tune was written by her father Jay
Ungar.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk <http://www.contrafusion.co.uk/> for
Dancing in Kent
I think there is a Roll Away missing at the end of the Circle Left in
the description provided a few posts back.
Bowl of Cherries by Sue Rosen
Improper
A1 N Dsd & swing
A2 Promenade across; W ch to P
B1 W gypsy each other; sw P
B2 Circle left 3/4, Men Roll Neighbour Lady alone the line with a Half
Sashay; Cross Trails (pass thru across, pass N by left shoulder to face
new N)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Dale,
Chorus Jig offers a lot of opportunities to embellish the moves beyond
what dancers are instructed in the walkthrough. The most popular one is
for the 2's to swing while the 1's are going down the outside. Besides
that, it can be fun to:
-- At the end of a swing, give a gentle "push off" with your partner to
either launch yourselves into the down-the-outside (if you're active),
or to get yourselves promptly to the side before the 1's start walking
down the middle (if you're an inactive).
-- Do that extra spin out of the allemandes (if time permits), as either
an active or inactive.
Mark Widmer
Dale Wilson <dale.wilson(a)gmail.com> wrote:
> Date: Fri, 30 Nov 2012 18:26:55 -0600
> Subject: Re: [Callers] What is the best contra dance(s) ever written?
>
> .
> .
> .
>
> And slightly more seriously.
>
> I don't want to start religious war but I have always wondered about A
> Chorus Jig. I just don't see why anyone likes it other than those who
> cherish it as a relic of a bygone era. The few times I have danced it my
> primary impression was that the inactive couples stood still for the entire
> dance -- offering admiration an occasional helping hand to the actives, and
> even the actives spent a great deal of time walking up and down the set.
> What am I missing? Why do people like it?
>
> Dale
>
>
Dale,
When did you start dancing? If you began during the "MUC" era, then you
likely never had a chance to appreciate some of the chestnuts and unequal
dances of the pre-MUC era. Some dances are comfortable, like an old pair of
dancing shoes. I remember dancing to some of these dances that began on their own
while the bend was "noodling" the tune, before the caller was ready.
John B. Freeman, SFTPOCTJ
Calling and dancing for only 30+ years
Kalia said, "a right and left through over and back (4 changes of rights
and lefts for you English dancers)".
Q1: Why for English dancers? Dancers in England do R&L Throughs, and I
am pretty sure that ECD dancers in the USA do them as well.
Q2: "Four changes" does NOT (to the best of my knowledge) have any
courtesy turns in it, whereas wherever I have danced in the UK or the
USA (extensively in both countries) R&L Throughs DO. How do you do a
R&L Through?
Q3: When the dance is proper like this, then the two men are courtesy
turning each other - is that what makes the difference? In my
experience the men turn shoulder to shoulder, possibly with arms around
each other, but they still do a turn which wouldn't happen in "four
changes". (And the ladies likewise of course.)
Q4: Does anyone know how a R&L Through was done, and with what styling,
back when this dance was written?
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
My all-around favorite to begin any dance has long been Don Armstrong's
"Broken Sixpence". It moves a lot, introduces dancers to each other, is easy
for beginners to comprehend, and would look familiar to square dancers. It's
all about the fun!
John B. Freeman, SFTPOCTJ
I've been listening a lot lately to Elixir's album "Rampant" and Wild
Asparagus's "From the Floor Up". I really like them just as upbeat
music to listen to. KGB's waltz album "The Red Light of Evening" is in
that class, too. What are some of your favorite contra band recordings,
and what is it about them that really gets your tail wagging?
Kalia