Whoops!
I confess I didn't know how the numbers were assigned in Beckett, or how to designate the couple who are progressing upwards...
Can you help me?
Do we just call them the upward bound and downward bound couple?
I did indeed mean the Lark who is progressing upwards.
And thank you for the dance below!
It's perfect as a first Hey dance and in fact i have something similar to that in my program (apologies I made a mistake when I sent my first email)
Now looking for a second Hey dance with no chains, where they go down the hall....
I appreciate everyone's feedback and suggested dances and will make good use of it all!
Kat k
May 28, 2025 10:09:31 PM Alexandra Deis-Lauby <alex(a)villagewestdesign.com>:
> First question is who is "lark 1"? Most choreographers call the number 1 couple the couple that progresses down the hall in a normal clockwise-progressing becket dance. It seems like in this case, you mean the opposite. If that is the case though, I don't think the dance progresses. Lark #1 would end up on the non-home side to start and end the hey.
>
> If you mean lark 1 as the normal lark 1 (the one the progress down the hall), then the circle would be once and a half+. Which is hard to do in 8 counts.
>
>
> If you need a dead simple dance to teach a hey, I would suggest something like:
>
> Becket, CW
>
> A1 Slice left, LLFB
>
> A2 Larks allemand left once, Robins Allemand right once *** For teaching purposes, have robins stand back to back in the middle after the allemand.**
>
> B1 Hey! Pass partner left on the ends, right in the middle
>
> B2 At home, partner balance and swing.
>
> Prompt them to end the swing early and /point /across so the lark is on the left and robin is on the right.
>
> This dance has lots of “recovery” time:
> * The slice and long lines each take 8 counts and the dancers don't have to travel far.
> * The allemandes are only once around so if folks are slow to move, that’s ok.
> * If they have ended the previous swing on the wrong side they can fix it with the one-role move in the middle
> * The partner swing is long and has lots of time for them to end early and get ready.
> * They spend a lot of time both on, and returning to their “home side."
>
>
>
> Alexandra Deis-lauby
> *VILLAGE**WEST**DESIGN*
> 646 283 3108
> villagewestdesign.com[http://villagewestdesign.com/]
> Instagram[https://www.instagram.com/villagewestdesign/] | Facebook[https://www.facebook.com/VillageWestDesign] | Houzz[https://www.houzz.com/pro/villagewestdesign/village-west-design]
>
>
>> On May 28, 2025, at 3:40 PM, Don Veino via Contra Callers <contracallers(a)lists.sharedweight.net> wrote:
>>
>> Hi,
>>
>> It's fun and can be helpful to craft dances for specific purposes - you're getting some good input on your composition here.
>>
>> Back to your original purpose featuring the hey with only simple figures around it and little fuss, a classic dance is The Carousel by Tom Hinds. If you want to only do Becket, rotate it to start with the B2. (Note that *new* Robins allemande in the A1.)
>>
>> https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10324
>>
>> Tom's dance starts the hey in the same way as yours, with the first pass being on the side with your partner. For your training consideration, there's also the other hey start with the first pass being in the center, e.g. following from a chain. FWIW, here's an easier becket dance which features that start. It's at least the third generation of evolution on this sequence:
>>
>> Purple Haze - Becket LT/CW - Don Veino
>> Riff off Purple Hays Variant (David Kaynor), riffing off Purple Heys (Peter Stix)
>>
>> A1 Slice Left, Cir LT 1x
>> A2 LDY\RBN RH Chain, over and back
>> B1 Full Hey, LDY\RBN Pass RT Ctr
>> B2 PNR Bal Swing
>>
>> The similarity of the chain and hey feel seems to help build understanding/success with newer dancers.
>>
>> -Don
>> Near Concord MA, family formerly from Lunenburg, NS
>>
>>
>> On Wed, May 28, 2025, 11:57 AM Katherine Kitching via Contra Callers <contracallers(a)lists.sharedweight.net> wrote:
>>> Hi from Halifax, Nova Scotia, Canada!
>>>
>>> As some of you know, I write a lot of my own dances because of the
>>> specific needs of our crowd- I'm always working on contra dances that
>>> are simpler than what most of you folks consider a "simple" dance :)
>>>
>>> For my upcoming dance I am doing a Hey as a "feature figure" - meaning
>>> it is the one more complex figure we will focus on that night.
>>> Am trying to write a dance that introduces the Hey, builds on other
>>> simple things we've done that night, without introducing anything else
>>> new or confusing.
>>>
>>> Other notes:
>>> - we are dancing only in Becket
>>> - swings are not necessary in each dance
>>>
>>> I like the flow of what I've written - which ends with a full Hey--
>>> But my issue is that the Lark will be following the Robin and I need the
>>> Lark to get ahead at the end -- so everyone can progress in the correct
>>> order.
>>>
>>> I've experimentally written that at the end of the hey, the Robin should
>>> look behind them and see their partner following them - and reach a hand
>>> to give them a little tug, to pull them ahead of them, back to home
>>> place and then seamlessly progress onwards to the next couple.
>>> But it's hard to predict if this will work ok or be too confusing.
>>>
>>> Would welcome your thoughts on this and any other aspect of the dance.
>>> I think I borrowed the Larks left hand turn 1.5 into a Hey from another
>>> dance on Contra DB, though my memory is foggy now...anyhow happy to give
>>> credit to that, if any is due :)
>>>
>>> Simple (maybe?) Hey Dance
>>> Becket, CW (progressing by sliding left)
>>>
>>> Star right
>>> Circle right - the #1 Lark leads out the line - at some point dropping
>>> hands with their partner who will end up at the opposite end of the line
>>> (This figure I've done before without any issues)
>>> Lines of 4 down the hall,
>>> Turn *alone*, come back up, bend line
>>>
>>> LLFB (you will be facing your partner for this figure, if I am not
>>> mistaken!)
>>> Larks: Allemande left 1.5x to face partner
>>> All start fuly Hey - partners pass right on the ends, then Robins pass
>>> left in the middle...
>>> Once Robins get back to their home side, turn over their right shoulder
>>> to see their partner right behind them - Robins reach with their right
>>> hand, to their partner's left hand (i.e. partners briefly take inside
>>> hands) - and Robins give a tug on the hand, to guide their Lark ahead of
>>> them, to progress to the next group - Robins follow the Larks in single
>>> file.
>>>
>>> Thank you for your thoughts, if any!
>>> Kat Kitching
>>> Halifax Contra Dances
>>>
>>> _______________________________________________
>>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
>>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
>>>
>> _______________________________________________
>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
>
First question is who is "lark 1"? Most choreographers call the number 1 couple the couple that progresses down the hall in a normal clockwise-progressing becket dance. It seems like in this case, you mean the opposite. If that is the case though, I don't think the dance progresses. Lark #1 would end up on the non-home side to start and end the hey.
If you mean lark 1 as the normal lark 1 (the one the progress down the hall), then the circle would be once and a half+. Which is hard to do in 8 counts.
If you need a dead simple dance to teach a hey, I would suggest something like:
Becket, CW
A1 Slice left, LLFB
A2 Larks allemand left once, Robins Allemand right once *** For teaching purposes, have robins stand back to back in the middle after the allemand.**
B1 Hey! Pass partner left on the ends, right in the middle
B2 At home, partner balance and swing.
Prompt them to end the swing early and point across so the lark is on the left and robin is on the right.
This dance has lots of “recovery” time:
The slice and long lines each take 8 counts and the dancers don't have to travel far.
The allemandes are only once around so if folks are slow to move, that’s ok.
If they have ended the previous swing on the wrong side they can fix it with the one-role move in the middle
The partner swing is long and has lots of time for them to end early and get ready.
They spend a lot of time both on, and returning to their “home side.”
Alexandra Deis-lauby
VILLAGEWESTDESIGN
646 283 3108
villagewestdesign.com <http://villagewestdesign.com/>
Instagram <https://www.instagram.com/villagewestdesign/> | Facebook <https://www.facebook.com/VillageWestDesign> | Houzz <https://www.houzz.com/pro/villagewestdesign/village-west-design>
> On May 28, 2025, at 9:09 PM, Alexandra Deis-Lauby <alex(a)villagewestdesign.com> wrote:
>
> First question is who is "lark 1"? Most choreographers call the number 1 couple the couple that progresses down the hall in a normal clockwise-progressing becket dance. It seems like in this case, you mean the opposite. If that is the case though, I don't think the dance progresses. Lark #1 would end up on the non-home side to start and end the hey.
>
> If you mean lark 1 as the normal lark 1 (the one the progress down the hall), then the circle would be once and a half+. Which is hard to do in 8 counts.
>
>
> If you need a dead simple dance to teach a hey, I would suggest something like:
>
> Becket, CW
>
> A1 Slice left, LLFB
>
> A2 Larks allemand left once, Robins Allemand right once *** For teaching purposes, have robins stand back to back in the middle after the allemand.**
>
> B1 Hey! Pass partner left on the ends, right in the middle
>
> B2 At home, partner balance and swing.
>
> Prompt them to end the swing early and point across so the lark is on the left and robin is on the right.
>
> This dance has lots of “recovery” time:
> The slice and long lines each take 8 counts and the dancers don't have to travel far.
> The allemandes are only once around so if folks are slow to move, that’s ok.
> If they have ended the previous swing on the wrong side they can fix it with the one-role move in the middle
> The partner swing is long and has lots of time for them to end early and get ready.
> They spend a lot of time both on, and returning to their “home side."
>
>
>
> Alexandra Deis-lauby
> VILLAGEWESTDESIGN
> 646 283 3108
> villagewestdesign.com <http://villagewestdesign.com/>
> Instagram <https://www.instagram.com/villagewestdesign/> | Facebook <https://www.facebook.com/VillageWestDesign> | Houzz <https://www.houzz.com/pro/villagewestdesign/village-west-design>
>
>
>> On May 28, 2025, at 3:40 PM, Don Veino via Contra Callers <contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>> wrote:
>>
>> Hi,
>>
>> It's fun and can be helpful to craft dances for specific purposes - you're getting some good input on your composition here.
>>
>> Back to your original purpose featuring the hey with only simple figures around it and little fuss, a classic dance is The Carousel by Tom Hinds. If you want to only do Becket, rotate it to start with the B2. (Note that *new* Robins allemande in the A1.)
>>
>> https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10324 <https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10324>
>>
>> Tom's dance starts the hey in the same way as yours, with the first pass being on the side with your partner. For your training consideration, there's also the other hey start with the first pass being in the center, e.g. following from a chain. FWIW, here's an easier becket dance which features that start. It's at least the third generation of evolution on this sequence:
>>
>> Purple Haze - Becket LT/CW - Don Veino
>> Riff off Purple Hays Variant (David Kaynor), riffing off Purple Heys (Peter Stix)
>>
>> A1 Slice Left, Cir LT 1x
>> A2 LDY\RBN RH Chain, over and back
>> B1 Full Hey, LDY\RBN Pass RT Ctr
>> B2 PNR Bal Swing
>>
>> The similarity of the chain and hey feel seems to help build understanding/success with newer dancers.
>>
>> -Don
>> Near Concord MA, family formerly from Lunenburg, NS
>>
>>
>> On Wed, May 28, 2025, 11:57 AM Katherine Kitching via Contra Callers <contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>> wrote:
>> Hi from Halifax, Nova Scotia, Canada!
>>
>> As some of you know, I write a lot of my own dances because of the
>> specific needs of our crowd- I'm always working on contra dances that
>> are simpler than what most of you folks consider a "simple" dance :)
>>
>> For my upcoming dance I am doing a Hey as a "feature figure" - meaning
>> it is the one more complex figure we will focus on that night.
>> Am trying to write a dance that introduces the Hey, builds on other
>> simple things we've done that night, without introducing anything else
>> new or confusing.
>>
>> Other notes:
>> - we are dancing only in Becket
>> - swings are not necessary in each dance
>>
>> I like the flow of what I've written - which ends with a full Hey--
>> But my issue is that the Lark will be following the Robin and I need the
>> Lark to get ahead at the end -- so everyone can progress in the correct
>> order.
>>
>> I've experimentally written that at the end of the hey, the Robin should
>> look behind them and see their partner following them - and reach a hand
>> to give them a little tug, to pull them ahead of them, back to home
>> place and then seamlessly progress onwards to the next couple.
>> But it's hard to predict if this will work ok or be too confusing.
>>
>> Would welcome your thoughts on this and any other aspect of the dance.
>> I think I borrowed the Larks left hand turn 1.5 into a Hey from another
>> dance on Contra DB, though my memory is foggy now...anyhow happy to give
>> credit to that, if any is due :)
>>
>> Simple (maybe?) Hey Dance
>> Becket, CW (progressing by sliding left)
>>
>> Star right
>> Circle right - the #1 Lark leads out the line - at some point dropping
>> hands with their partner who will end up at the opposite end of the line
>> (This figure I've done before without any issues)
>> Lines of 4 down the hall,
>> Turn *alone*, come back up, bend line
>>
>> LLFB (you will be facing your partner for this figure, if I am not
>> mistaken!)
>> Larks: Allemande left 1.5x to face partner
>> All start fuly Hey - partners pass right on the ends, then Robins pass
>> left in the middle...
>> Once Robins get back to their home side, turn over their right shoulder
>> to see their partner right behind them - Robins reach with their right
>> hand, to their partner's left hand (i.e. partners briefly take inside
>> hands) - and Robins give a tug on the hand, to guide their Lark ahead of
>> them, to progress to the next group - Robins follow the Larks in single
>> file.
>>
>> Thank you for your thoughts, if any!
>> Kat Kitching
>> Halifax Contra Dances
>>
>> _______________________________________________
>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>
>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net
>> <mailto:contracallers-leave@lists.sharedweight.net>
>> _______________________________________________
>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>
>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net <mailto:contracallers-leave@lists.sharedweight.net>
>
Hi from Halifax, Nova Scotia, Canada!
As some of you know, I write a lot of my own dances because of the
specific needs of our crowd- I'm always working on contra dances that
are simpler than what most of you folks consider a "simple" dance :)
For my upcoming dance I am doing a Hey as a "feature figure" - meaning
it is the one more complex figure we will focus on that night.
Am trying to write a dance that introduces the Hey, builds on other
simple things we've done that night, without introducing anything else
new or confusing.
Other notes:
- we are dancing only in Becket
- swings are not necessary in each dance
I like the flow of what I've written - which ends with a full Hey--
But my issue is that the Lark will be following the Robin and I need the
Lark to get ahead at the end -- so everyone can progress in the correct
order.
I've experimentally written that at the end of the hey, the Robin should
look behind them and see their partner following them - and reach a hand
to give them a little tug, to pull them ahead of them, back to home
place and then seamlessly progress onwards to the next couple.
But it's hard to predict if this will work ok or be too confusing.
Would welcome your thoughts on this and any other aspect of the dance.
I think I borrowed the Larks left hand turn 1.5 into a Hey from another
dance on Contra DB, though my memory is foggy now...anyhow happy to give
credit to that, if any is due :)
Simple (maybe?) Hey Dance
Becket, CW (progressing by sliding left)
Star right
Circle right - the #1 Lark leads out the line - at some point dropping
hands with their partner who will end up at the opposite end of the line
(This figure I've done before without any issues)
Lines of 4 down the hall,
Turn *alone*, come back up, bend line
LLFB (you will be facing your partner for this figure, if I am not
mistaken!)
Larks: Allemande left 1.5x to face partner
All start fuly Hey - partners pass right on the ends, then Robins pass
left in the middle...
Once Robins get back to their home side, turn over their right shoulder
to see their partner right behind them - Robins reach with their right
hand, to their partner's left hand (i.e. partners briefly take inside
hands) - and Robins give a tug on the hand, to guide their Lark ahead of
them, to progress to the next group - Robins follow the Larks in single
file.
Thank you for your thoughts, if any!
Kat Kitching
Halifax Contra Dances
Whoops, sorry everyone-
I just re-checked my program:
In fact we would do one dance prior to this one below, with a full Hey -
The prior dance would keep things even more simple by not having anyone
go down the hall -
the Hey would take place in B1-- and the dance would end with a partner
balance-and-swing (or two hand turn), in order to reset everyone to
home place before progressing.
So indeed the dance below is intended to have folks practice the hey
with the slight added confusion of being out of home place :)
> Katherine Kitching via Contra Callers
> <mailto:contracallers@lists.sharedweight.net>
> Wednesday, May 28, 2025 12:57 PM
> Hi from Halifax, Nova Scotia, Canada!
>
> As some of you know, I write a lot of my own dances because of the
> specific needs of our crowd- I'm always working on contra dances that
> are simpler than what most of you folks consider a "simple" dance :)
>
> For my upcoming dance I am doing a Hey as a "feature figure" - meaning
> it is the one more complex figure we will focus on that night.
> Am trying to write a dance that introduces the Hey, builds on other
> simple things we've done that night, without introducing anything else
> new or confusing.
>
> Other notes:
> - we are dancing only in Becket
> - swings are not necessary in each dance
>
> I like the flow of what I've written - which ends with a full Hey--
> But my issue is that the Lark will be following the Robin and I need
> the Lark to get ahead at the end -- so everyone can progress in the
> correct order.
>
> I've experimentally written that at the end of the hey, the Robin
> should look behind them and see their partner following them - and
> reach a hand to give them a little tug, to pull them ahead of them,
> back to home place and then seamlessly progress onwards to the next
> couple.
> But it's hard to predict if this will work ok or be too confusing.
>
> Would welcome your thoughts on this and any other aspect of the dance.
> I think I borrowed the Larks left hand turn 1.5 into a Hey from
> another dance on Contra DB, though my memory is foggy now...anyhow
> happy to give credit to that, if any is due :)
>
> Simple (maybe?) Hey Dance
> Becket, CW (progressing by sliding left)
>
> Star right
> Circle right - the #1 Lark leads out the line - at some point dropping
> hands with their partner who will end up at the opposite end of the
> line (This figure I've done before without any issues)
> Lines of 4 down the hall,
> Turn *alone*, come back up, bend line
>
> LLFB (you will be facing your partner for this figure, if I am not
> mistaken!)
> Larks: Allemande left 1.5x to face partner
> All start fuly Hey - partners pass right on the ends, then Robins pass
> left in the middle...
> Once Robins get back to their home side, turn over their right
> shoulder to see their partner right behind them - Robins reach with
> their right hand, to their partner's left hand (i.e. partners briefly
> take inside hands) - and Robins give a tug on the hand, to guide their
> Lark ahead of them, to progress to the next group - Robins follow the
> Larks in single file.
>
> Thank you for your thoughts, if any!
> Kat Kitching
> Halifax Contra Dances
>
> _______________________________________________
> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net
> To unsubscribe send an email to
> contracallers-leave(a)lists.sharedweight.net
I'm very proud to promote My Latest Crypto Scam (aka Jerome's Latest Crypto
Scam). Unlike most such scams, all invested parties can actually expect a
payoff, though not all at the same time.
I must acknowledge inspiration from JoLaine Jones-Pokorney's GOD's Chariot
Rides Again.
Enjoy!
My Latest Crypto Scam
aka Jerome's Latest Crypto Scam
By Jerome Grisanti
Improper contra - duple minor
A1:
(8) Neighbor mirror do-si-do (twos split ones)
(8) Ones swing
A2:
(5) In a line of four, go down the hall (W2-M1-W1-M2)
(4) "Tag the line": as couples, trade while facing down; individually, turn
alone
(5) Lines return (W1-M2-W2-M1)
(2) Face your neighbor
B1:
(4, 12) Neighbor balance & swing
B2:
(4, 4) Pass through across; Neighbors gate 3/4 (twos moving forward)
(8) Twos swing; face up
I reassure dancers that if they do-si-do instead of see-saw, or do a
courtesy turn instead of gate, it's all okay, since dancing the exact moves
as dictated by Jerome just plays into the hands of Big Contra. It is
important, however, to remember if you're a one or a two.
Enjoy! If you feel compelled to send money, address it to the CDSS.
— Jerome Grisanti
P.S. In case you didn't notice, no role terms are needed.
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe
Greetings from NH -
An old high school friend of my daughter's reached out to me for help getting a survey out to contra dancers. Jen is someone personally known to me as we would go dancing together when she was a teen. How cool to see that while in her late 30's she is:
Jennifer P. Agans, Ph.D.
Associate Professor
Department of Recreation, Park, and Tourism Management
College of Health and Human Development
The Pennsylvania State University
Her request is this: "I am now a researcher studying recreation and well-being, and I'm doing a study of contra dancers' experiences. Would you be willing to help distribute my survey to the contra dance community in New England?"
Here is the link to her survey:
https://pennstate.qualtrics.com/jfe/form/SV_1M8Jyz3kzpVhzym
Thanks, everyone!
Sandy
Sandy Lafleur
PO Box 877285 Burns Hill RoadWilton, NH 03086
(603) 654-1245
Since the beginning of man the hours between the coming of night and the coming of sleep have belonged to the tellers of tales and the makers of music.
This video demonstrates the standard Chain Figure and how to do it well.
We also teach you good technique for adding twirls, and variants such as the
Open Chain and the North Country Chain.
While it is traditionally known as a Ladies' Chain, it is also known as a
Second Corner Chain, a Robins' Chain, a Right-Hand Chain, Chain by the
Right, Chain Across or just Chain.
I hope you enjoy the video and find it useful!
https://youtu.be/dS8LxpVHB3M
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.contrafusion.co.uk for Dancing in Kent
Bob, thanks for sharing. From your comment,
"If the 2L and 1G chase it works equally well,"
it seems that an "alternating" version of this dance is possible. This
would eliminate the need for short lines as it is then automatically fair
to both pairs of neighbors. Though you might want to reserve that for more
experienced dance crowds.
Mark Widmer
> ---------- Forwarded message ----------
> From: Bob Isaacs <isaacsbob(a)hotmail.com>
> To: "Tepfer, Seth" <labst(a)emory.edu>, Chris Page <chriscpage(a)gmail.com>
> Cc: Shared Weight Contra Callers <contracallers(a)lists.sharedweight.net>
> Bcc:
> Date: Wed, 7 May 2025 20:19:06 +0000
> Subject: [Callers] Re: Chase figure with neighbor?
> Here's the one Chris mentioned - Bob
>
> *Cut to the Chase *
> Becket-L Intermediate
> A1. 8 Long lines forward and back
> 8 Circle L ¾ and pass through
>
> A2. 8 Ladies allemande L 1½
> 8 Partner allemande R
> 1½ (1)
>
> B1. 8 1L around two and 2G around one and he cuts
> through (2)
> 8 2G around two and 1L around one and she cuts through
>
> B2. 8 Actives swing
> 8 Partner swing
>
> Written on December 1, 2005, and first called on April 5, 2006 at
> Princeton, NJ. It was about time for a neighbor chase sequence. Short
> sets are necessary to make this fair to both pairs of neighbors.
> (1) – By varying the length of this allemande, partners can choose who
> will be active.
> (2) – The 1L and 2G are above their partners when the chase starts, which
> is worth emphasizing in the teaching. If the 2L and 1G chase it works
> equally well. By identifying the neighbors above as the active couple, the
> call is “active couple chase – lady ‘round two and gent ‘round one and he
> cuts through, gents ‘round two and lady ‘round one and she cuts through.”
>
>
> ------------------------------
> *From:* Chris Page via Contra Callers <
> contracallers(a)lists.sharedweight.net>
> *Sent:* Wednesday, May 7, 2025 1:24 PM
> *To:* Tepfer, Seth <labst(a)emory.edu>
> *Cc:* Shared Weight Contra Callers <contracallers(a)lists.sharedweight.net>
> *Subject:* [Callers] Re: Chase figure with neighbor?
>
> "Cut to the Chase" by Bob Isaacs.
>
> You'll have to ask him for the specific figures.
>
> Cheers,
> -Chris Page
> Los Angeles, CA
>
In light of Ang’s thumbs up, I want to point you all to the latest
*From the Mic* podcast featuring Ang DeCarlis:
https://cdss.org/podcasts/podcast/from-the-mic-episode-31-ang-decarlis/
A truly wonderful, thought-provoking, insightful episode.
Lisa
Nelson, NH
Lisa Sieverts
603-762-0235
lisa(a)lisasieverts.com
