I recommend TicTacToes - check out all the dancing shoes they have
available at TicTacToes.com - I've bought quite a few pair from them,
and they are comfortable and have great suede/leather soles and all
sorts of styles and colors and widths. They have shoes for men and
women - they have them for all kinds of dancing, from ballroom to tap
to country Western. I can't dance in tennis shoes because since they
don't slip well I end up tweaking my right knee when doing buzz step
swings. And the prices are about usual for shoes.
Martha
On Jun 25, 2008, at 9:00 AM, callers-request(a)sharedweight.net wrote:
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> Today's Topics:
>
> 1. Shoes (Rickey)
> 2. Re: Shoes (Mortland, Jo)
> 3. Re: Shoes (Laur)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Tue, 24 Jun 2008 16:01:58 -0400
> From: "Rickey" <holt.e(a)comcast.net>
> Subject: [Callers] Shoes
> To: <callers(a)sharedweight.net>
> Message-ID: <000901c8d635$28ac7260$020fa8c0@maxx>
> Content-Type: text/plain; charset="us-ascii"
>
> Hi,
>
> I am considering buying my first pair of shoes bought expressly for
> contra
> dancing. What do you recommend? What do you think of suede
> soles? I need
> good arch support. Whatever I buy would also need to be acceptable
> to dance
> organizers in need of protecting their venue's floors.
>
> Thanks,
>
> Rickey Holt.
>
>
>
> ------------------------------
>
> Message: 2
> Date: Tue, 24 Jun 2008 15:10:20 -0500
> From: "Mortland, Jo" <j-mortland(a)neiu.edu>
> Subject: Re: [Callers] Shoes
> To: "Caller's discussion list" <callers(a)sharedweight.net>
> Message-ID:
> <9B0B0B8FF2328E48930D4B6273C1B2610CBD1CFE(a)EXNODE1.univ.neiu.edu>
> Content-Type: text/plain; charset="US-ASCII"
>
>
>
> I need to wear orthotics in my every day shoes for arch support.
>
> So when I buy new shoes, I take the old pair, one that accommodates
> the
> orthotics, to a shoe clinic. I ask for "dance leather" (suede) to be
> affixed to the bottoms of the shoes, but only from the toe to the arch
> (not the heel). This way I have support and a great surface for
> swinging. Costs me about $30.00. and I keep updating my dance
> shoes as
> I purchase new regular wear ones. (I wear SAS shoes. I used to
> have a
> pair of Rockports with which I did the same thing.)
>
> Jo Mortland
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Tue, 24 Jun 2008 17:05:24 -0700 (PDT)
> From: Laur <lcpgr(a)yahoo.com>
> Subject: Re: [Callers] Shoes
> To: Caller's discussion list <callers(a)sharedweight.net>
> Message-ID: <173165.55101.qm(a)web52907.mail.re2.yahoo.com>
> Content-Type: text/plain; charset=us-ascii
>
>
> I sent an earlier message off list -
>
> Same goes for me.
>
> In my case I buy a good supportive tennis shoe, but I have swede
> put on the bottom of the whole shoe. It just works for me. And it
> also costs about 30-40 depending on who you go to.
>
> I have in the past put leather on a vinyl bottomed shoe.
>
> Of course, if you have a pair of shoes that work for you - old
> sneakers, just put duct tape on them. I did that for nine years.
> It worked just fine.
>
> Laurie
> GR
>
> --- On Tue, 6/24/08, Mortland, Jo <j-mortland(a)neiu.edu> wrote:
>
>> From: Mortland, Jo <j-mortland(a)neiu.edu>
>> Subject: Re: [Callers] Shoes
>> To: "Caller's discussion list" <callers(a)sharedweight.net>
>> Date: Tuesday, June 24, 2008, 4:10 PM
>> I need to wear orthotics in my every day shoes for arch
>> support.
>>
>> So when I buy new shoes, I take the old pair, one that
>> accommodates the
>> orthotics, to a shoe clinic. I ask for "dance
>> leather" (suede) to be
>> affixed to the bottoms of the shoes, but only from the toe
>> to the arch
>> (not the heel). This way I have support and a great
>> surface for
>> swinging. Costs me about $30.00. and I keep updating my
>> dance shoes as
>> I purchase new regular wear ones. (I wear SAS shoes. I
>> used to have a
>> pair of Rockports with which I did the same thing.)
>>
>> Jo Mortland
>>
>>
>> _______________________________________________
>> Callers mailing list
>> Callers(a)sharedweight.net
>> http://www.sharedweight.net/mailman/listinfo/callers
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>
>
>
>
> ------------------------------
>
> _______________________________________________
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>
> End of Callers Digest, Vol 46, Issue 12
> ***************************************
Hello everyone,
Anybody attend the Whipperstompers weekend a couple of weeks ago in
South Carolina? I talked with Adina Gordon last night about it and she
had some good things to say. Adina, that's your cue to let us know how
it went and your impressions about what the organizers and attendees
took away from it. ;)
Anyone else attend and want to share their experiences?
Adina and I found out that we're both planning on attending the Youth
Dance Weekend in Vermont in September. Anyone else going to be there?
Happy Dancing,
Chris Weiler
Goffstown, NH
If your ankles are the least bit liable to "turn" if you wear what costumers
call "character shoes" -- a classic woman's dance shoe which has 2" or 2.5"
heels that taper considerably toward the bottom -- then you might want to
look for a character shoe with what is called a "Cuban" heel. They resemble tap
shoe heels in that they are "squared off" and do not taper. I wear a Capezio
style (now discontinued, alas) with a 1" Cuban heel, which I actually find
less fatiguing than flats, and which gives terrific support. They have a strap
which fastens to a buckle which is on a fold of elastic, which allows for a
certain amount of "give." They are lightweight, but sturdy.
If there's a dance supply store in your area, you should consider getting
properly fitted for your first pair -- many dance shoes run a size or half a
size smaller than "street" shoes. A store which also sells pointe shoes
usually has expert fitters, carries more than one brand, and also has a range of
useful accoutrements -- moleskin, etc. But once you've found a style and size
that work for you, look online to get replacement pairs. Discountdance.com,
for instance, usually runs about 25% less, although there's the shipping
charge.
If, like me, you wear orthotics, then it's crucial to make sure that the
shoes accommodate the orthotics comfortably, and that the heel is not so high
that it compromises the insert. If (like an acquaintance of mine at Glen Echo)
you absotively posolutely insist on dancing contra and waltz in 2" heels and
you wear orthotics, ask your podiatrist to fit a custom pair of orthotics
which will accommodate the "lift" at the heel. Your insurance probably won't
cover it, but they can be ordered that way. (Your podiatrist will have a thing
or three to say about that, mind you.)
The leather soles on my Capezios give me just enough spin for the floor at
Glen Echo. I wear them only for dance, and I check the soles carefully and
remove any build-up of floor product residue. I have two pair (one black, one
taupe), which I try to use alternately. I have tried a wide range of other
dance shoes (split-sole dance/jazz sneakers, leather jazz shoes, etc.) but I
always come back to the Cuban-heel character shoes.
April Blum
**************Gas prices getting you down? Search AOL Autos for
fuel-efficient used cars. (http://autos.aol.com/used?ncid=aolaut00050000000007)
Hi,
I am considering buying my first pair of shoes bought expressly for contra
dancing. What do you recommend? What do you think of suede soles? I need
good arch support. Whatever I buy would also need to be acceptable to dance
organizers in need of protecting their venue's floors.
Thanks,
Rickey Holt.
Date: Wed, 18 Jun 2008 13:19:57 -0400
The Witful Turnip wrote:
>I have insurance for just about everything else car, condo, life, you name
>it. I wholeheartedly believe in getting insurance if it's available. But I
>couldn't seem to find out if I could actually get it. And then it just
>slipped off the radar and I forgot about it. Ultimately, I believe that
>Canucks are less litigious than you 'Mericans, so I hadn't gone back to
>follow up. But every time someone mentions it, I wonder about it...
I just wanted to formally and publicly apologize to all you Merkins. Jerome
was kind enough to privately point out my error in name calling. So I
thought I'd fess up. And since he's happy to listen to CBC <who wouldn't?!?>
you can all witness my dubbing him an honourary Canuck!
Bev
----------------------------
Date: Wed, 18 Jun 2008 13:56:38 -0700
JD Erskine wrote:
>>The Witful Turnip wrote about insurance:
>>snip
>
>Hi Bev et al
>
>Ben hope you don't mind I modified the subject line for this topic fork.
No, not at all Jane.
>I'm not in that position, yet (may never be) however had exactly the
>same questions. I just deleted a bunch of guess work lines here to avoid
>muddying the waters so will also see what response there is before
>following it up more (other lists, CDSS directly, ..).
Nice to see another Canadian posting on this list. Although I've been here
since it's inception, I must confess to typically lurking. I just can't keep
up with the volume. But do let me know if you find out anything and I'll do
the same for you. You may be in the position of needing insurance soon.
>Cheers, John
>
>J.D. Erskine
>Victoria, BC
Bev <not Ben>
Toronto, ON
------------------------------
Date: Wed, 18 Jun 2008 21:40:10 -0400
Amy wrote:
>
>and I agree with whoever suggested waiting on the cake: people think their
>job as a guest is done once they eat it.
I agree with both Beth and Amy on this. Dance before cake. Let them work up
an appetite. In my experience, once they sit and have cake, you'll be hard
pressed to get most people back up on the dance floor.
>I like to lead from a toast, with everyone gathered round standing, to
>taking hands in a circle for the first dance, and then having the cake
>after the third or fourth dance.
>Background music during the cake eating, then a few more dances for the
>die-hards.
I really like the toast idea! I have a wedding to call in July. I'll have to
try that. Though, I try to go 4 - 5 dances before cake. Depends on the
crowd.
I typically start with what I call the Snake Dance, which is a simple single
line of people holding hands weaving in and around tables adding people to
the line as we go, like a conga line. I encourage people that they only need
to walk to the beat of the music, one step for every beat, and they can
dance. And I have the band play some really hot tunes. It's an easy way to
get people who are reluctant and sitting in their chairs, up on their feet
and participating. If they can walk, they can dance, and they all walked
into the wedding. I eventually wind them into a big circle, stop the music
and then teach a simple circle mixer like La Bastringue. I can usually keep
them on the dance floor after that.
>just my 1/50 of a buck.
Worth the same amount of a Canadian loonie these days. Woo hoo!
Bev
> I may toss it out as a suggestion to the bride and groom who really want to
have their guests up having a good time.
I know that when Dudley Laufman does a wedding gig, he insists as part of the
pre-party negotiations that he be given 45 minutes or so for dancing before
there's cake cutting or some other intermission. He knows from long experience
that this may be all the dancing that happens in the course of the evening, and
he wants to get in more than one or two dances. If after the cake / break folks
come back for more, great!
By the way, when I'm discussing a dance with the happy couple, before the event,
I remind them that the single biggest factor in whether folks will dance and
will have a good time is whether the wedding couple is out there on the dance
floor. If they're there, it's MUCH easier to get others to join in. If they're
saying goodby to great-aunt Tillie, somewhere off in a corner, forget it. It's
going to be really hard to entice others onto the floor. (or lawn, as the case
may be...)
David Millstone
Hell all, looking for support and any suggestions for calling an outside wedding dance.
Since I am dealing with a wedding dance I don't have to worry about fast dancing. Although I keep thinking about that unsteady dancing thing that is already present with non-dancers, and their over exuberance. I also think about letting that caller insurance lag this year.
I'm open to anything anyone can offer. Wedding is Sunday. Trying to rethink today and tomorrow.
Thanks - Laurie, Grand Rapids, MI
~ What the heart has once owned.....it shall never lose. ~
~ Henry Ward Beecher~
~~
I've called many a wedding and/or event dance on grass and have never had a
problem. Like Beth, I agree with most everything that's been said,
particularly Rich's comment about using elbow swings, Tom's comment about
using mixers, and her comment about wedding timing. All absolutely true in
my experience.
I don't like the idea of dancing on cardboard boxes taped together. [I can
just see Lindsay rolling his eyes at me right now! <wave>] That strikes me
as potentially slippery (especially if women are wearing heels) and more
dangerous than just dancing on the grass. But your mileage may vary.
In my experience at weddings, women are often wearing high heels. I
typically walk around on the grassy area of the dance to look for
particularly uneven terrain in order to try to steer clear of it. And
assuming the grass is clean or debris and other potential assorted
muckiness, I often suggest that women dance barefooted rather than in heels.
If the grass is soft, they have a tendency to get stuck/caught anyway.
Laurie, I'm calling the dance in Lansing this Saturday. Come to the dance
and we can chat more about this.
About caller insurance, I heard about it a couple of years ago, and it may
have even been on this list. My recollection is that it's offered by or
related to CallerLab, the modern western square dance folks in the US. I
also seem to remember that the link to the forms was on the CDSS website.
I'm certain I got the forms and emailed someone then to find out the answers
to some questions, and never got any. Perhaps you folks can answer them.
I'm a Canadian caller. Can I even apply to get this insurance?
Will it cover me if I'm calling dances in Canada?
Will it cover me if I'm calling dances in the US, even though I'm Canadian?
Are there any Canadians on this list that have purchased it?
Has anyone had to actually use it (e.g. make a claim)?
I have insurance for just about everything else car, condo, life, you name
it. I wholeheartedly believe in getting insurance if it's available. But I
couldn't seem to find out if I could actually get it. And then it just
slipped off the radar and I forgot about it. Ultimately, I believe that
Canucks are less litigious than you 'Mericans, so I hadn't gone back to
follow up. But every time someone mentions it, I wonder about it...
Thanks,
Bev
The CALLERLAB policy that Bev mentioned does not appli to Canadian or overseas
callers. CALLERLAB says, "We urge Canadian and overseas callers to contact their
local organizations for their insurance needs."
Alas. It's a good deal. Purchased through CDSS, it costs $48/year:
http://cdss.org/membership/2008_caller%20insurance%20application.pdf
And no, I don't know of anyone who's had to file a claim. However, I often have
had to present a certificate of insurance to be able to hold a dance in a town
hall or a school building, and it's worth carrying the policy just for that.
David Millstone
That was my understanding of ONS and MUC. Could it be anything else??? Obvious.
Rich
-------------- Original message --------------
From: Greg McKenzie <gregmck(a)earthlink.net>
>
> Callers,
>
> Some people may not be familiar with the jargon we use. Just to clarify:
>
> ONS stands for "Old Ninnie's Shuffle" a dance done at retirement
> homes in southern New Mexico.
>
> MUC stands for "Mucilaginous Uphill Crabwalk" which is a popular
> dance amongst college students on the East coast.
>
> Just thought that might help.
>
> Sincerely,
> Greg McKenzie
>
> ********
>
> At 12:43 PM 6/17/2008, you wrote:
> >Dancing on grass works just fine. Stick with an elbow swing, which
> >I usually do for a ONS dance anyway.
> >I'm assuming that this is a dance with mostly novice, one-time
> >dancers. We did play for a MUC dance once that was in the grass and
> >the dance seemed to work just fine too, except for the mosquitos.
>
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