Sam, cool-looking dance! My main comment -- just from running through the dance in my head, mind you -- is the importance of giving weight after the roll-away, as the robins need to change momentum in order to zig left. Depending on the crowd you're calling to, you can either let an advanced crowd figure that out or stress this when walking through with a less-than-advanced crowd.

I'm also wondering about available space for the roll-away across the set. It's been several years since I actually danced, so maybe this is okay. Only way to find out is to try it out :-)

Regarding interrupted/balanced square throughs, I learned it as "balance square through" from Donna Hunt. That said, it's somewhat a moot point as I never used the term when addressing dancers. I just taught them the move sequence in the walkthrough, and called the individual moves during the dance ... and then felt a great sense of relief when the opportunity to catch my breath finally came around!

Regards,

Mark Widmer

---------- Forwarded message ----------
From: Sam Winter <samawinter@gmail.com>
To: contracallers@lists.sharedweight.net
Cc:
Bcc:
Date: Fri, 8 Aug 2025 16:15:48 -0700
Subject: [Callers] Interrupting Cow - ("new" dance )
Hey all,

Long time lurker, first time poster.

This dance came to me on a hike. It's based on my favorite knock-knock joke as a kid and the wonderful dance "Cows are Watching" by Bill Pope and Judy Goldsmith.
Knock-Knock. Who's there? Interrupting cow. Interrupting cow wh- MOOOO!

I haven't tested it and I don't really know if it counts as a "new" dance, but I think it's funny and wanted to share it with someone who might appreciate it!

Cheers,
Sam

Interrupting Cow by Sam Winter
Contra / Becket / CCW
based on "Cows are Watching" by Bill Pope and Judy Goldsmith

A1: (8) Interrupted Square Through Two (NR, PL)
(8) Interrupted Square Through Two (NR, PL)

A2: (4) Neighbor balance across the set
(12) Larks draw Neighbor across and swing

B1: (4) Balance ring
(4) With Partner across, Robins roll away, Larks half sashay
(8) Zig left, zag right to N2

B2: (8) Larks allemande left 1 (and a bit) with new Lark
(8) Partner swing

Notes: I like the idea of starting with the B1 (so the interruption happens in the middle), but not sure I really want to complicate things with an indecent starting formation.