Any rising star callers out there ready for a chance to get out on the
national circuit? Catapult is built to help you along the way.
A stage.
A mic.
A fantastic collection of breakout bands.
A hall full of dancers and organizers excited to find the best
ready-to-be-discovered contra talent.
A spotlight.
Memorial Day 2017.
For all the details check out www.catapultshowcase.com.
ciao,
rah
--
Rob Harper
thatrobharper(a)gmail.com
(404) 307-3444
Whipped this one up looking for a double-chain dance to get beginners
accustomed to the figure*. Has it been written before? (If not, tentatively
titling this one "Chain of Fools".) (Uhh, unless there's another dance of
that name already... which I can't imagine there isn't... in which case
I'll come up with something else.)
becket L
A1: slice L
ladies chain to N
A2: ladies chain to P
ladies alle. R 1 1/2
B1: N b&s
(Or perhaps the same dance, starting at B1, with "long lines forward and
back" in place of the slice.)
Cheers,
Maia
* currently my go-to dance for this purpose is currently Erik Hoffman's Made
Up Tonight
<https://www.cambridgefolk.org.uk/contra/dances/erik_hoffman/made_up_tonight…>,
but I like to have options (and I like to have glossary dances that don't
start with "N b&s").
Richard Hopkins asked, "What is 'slice'? And is it different from 'yearn'?"
I think most people use Slice and Yearn to mean the same thing:
As a couple move forward diagonally to face the next couple (default is
usually to the left); high-five them with your spare hands (not the one you
are using to hold your partner's hand) while turning to face them across the
set; fall back (push away) to your progressed positions facing them.
There is also a Double Slice, i.e. forward to the left diagonal couple and
continue moving to the left as you back out to face the next couple (double
progression)
And Bob Isaacs introduced Half a Slice (in the dance of the same name): "As
a couple, go forward towards each other on the diagonal. The top two
dancers join hands; the bottom two push off to make a line of four facing
down. This is an efficient way to get everyone progressed and facing down
in 8 beats, so there is time for creative or dramatic push-offs."
Some people sometimes use one term to mean single progression and the other
to mean double progression, but I don't believe there is any universal
agreement, so it is always best to write or teach exactly which one you
mean.
I like Yearn as it implies more interaction with the couple you are
approaching.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
What is ‘slice’? And is it different from ‘yearn’?
Richard
``````````````````````````````````````````````````````````
Richard Hopkins
850-544-7614
hopkinsrs(a)comcast.net
Any Musicians, Callers, Dancers want to spend the month of February 2018
traveling around New Zealand? The Allemande Joy Contra Dance Bus is now
accepting applications. We hike, bike, paddle, visit glaciers, beaches,
gorges, spend a night on Milford Sound and much more. Evenings we have
dances with the local communities. For information, contact Julie:
2018AJ(a)gmail.com
<2018AJ(a)gmail.com>
<2018AJ(a)gmail.com>
Hi there hivemind,
I'm in search of the following dances and would be grateful to anyone who
can help me out:
1) Cupid's Clout (...Cupid's Cloud? Something like that? A lovely flowy
dance with pousettes)
2) Square Route (petronella spin --> 3 changes of a square thru)
3) Looking for name and author of:
A1: circle L 3/4
N swing
A2: long lines
square thru 2
B1: next N. bal & box the gnat
gents allemande L 1 1/2
B2: P b&s
Happy merry etc.,
Maia
Instead of Ladies Dosido 1 & 1/2 I always teach Ladies Dosido then Pass
Through (by the Right Shoulder). That makes it clearer as to where they are
heading (especially if they like spinning their Dosidos!).
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Dear Shared Weighters,
I wanted to call "3-33" by Steve Zakon-Anderson recently, but with a
different B2 progression that would be easier for dancers to execute and
for me to teach. Does this dance already exist under another title? If
not, I'd like to call it "4-44" to present it in clear homage to Steve's
creation.
4-44 by Dugan Murphy
A1 Neighbor one right hand balance (4); pull by right (2); neighbor two
pull by left (2); Neighbor three right hand balance (4); box the gnat (4)
A2 Neighbor three pull by right (2); Neighbor 2 pull by left (2); Neighbor
one swing (12)
B1 Circle left three places (8); Partner swing (8)
B2 Ladies chain (8); Left hand star (8)
Please let me know if this sequence already has a name.
I am already aware of "334" by Diane Silver
A1 Neighbor one right hand balance (4); pull by right (2); neighbor two
pull by left (2); Neighbor three right hand balance (4); box the gnat (4)
A2 Neighbor three pull by right (2); Neighbor 2 pull by left (2); Neighbor
one swing (12)
B1 Gents left hand allemande 1.5 (8); Partner swing (8)
B2 Circle left three places (8); Balance the ring (4); Partner California
twirl (4)
Question two: are there other 3-33-inspired dances out there you know about?
Dugan Murphy
Portland, Maine
dugan at duganmurphy.comwww.PortlandIntownContraDance.comwww.NufSed.consulting
Hi everyone.
I just picked up a couple contra dances on Sunday and the caller didn’t know the titles or callers.
I hope you can help to ID these 2 dances?
BECKET
A1 CL3
N Sw, face down
A2 DTH, TA
Ret, bend to ring
B1 CL 1/2 , across from P
as couple slide out Left & slide R until Gents meet
Gents allem L 1x
B2 P R-sh round & Sw
Improper
A1 N B &Sw
A2. Gents Allem 1.5
P sw
B1. LLFB
L CH to N
B2 bal ring
P Roll lady across with 1/2 sashay
Bal ring
N rolls lady along
Thanks for your help!
Claire (Campbell CA)
Hi All,
I'm going to lead an English dance in early February. I've led English once or twice, and mostly stuck with The Playford Collection, and some Pat Shaw dances. I wouldn't mind collecting a few more modern dances.
Please feel free to either post them to the list, or send to me directly:
erik(a)erikhoffman.com<mailto:erik@erikhoffman.com>
And, of course, please include the music.
Thanks,
~Erik Hoffman
Oakland, CA