Hi Erik,
It all depends on how you, or the group you are working with, define
ECD. The definition of country dancing in England is much wider. We'll
dance anything the caller calls as long as it is fun.
You can find some 50 year old dances at
http://contrafusion.co.uk/DancesEDS.html
And some of mine at http://contrafusion.co.uk/Dances.html
If you need more, then the archives of the ECD list would be a good
place to look: http://www.bacds.org/mailman/listinfo/ecd
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
I've been thinking about dances with distinctive figures recently. Here's
one that people have enjoyed; I think it may be the minimal improper dance
with contra corners, as it avoids the half figure eight which, while fun,
causes confusion for beginners.
------
Cassoulet
Duple minor improper contra dance
Roger Hayes, August 2016
A1 Circle left ½,
Ladies roll away L to R with neighbor
Circle left ½,
Gents roll away L to R with neighbor
A2 Demi pousette,
Long lines forward and back
B1 Contra corners
B2 Actives balance and swing
Demi pousette: 1’s do a ½ draw pousette starting above improper, ending
below proper, while 2’s do a normal ½ pousette to move up. So the 1 gent
pulls partner out of the set and back in, moving in an arc with the gent
always in the forefront, while the 2 gent pulls partner out of the set then
2 lady pulls partner back in, describing a V shape.
This dance benefits from spacious circles.
Hi all,
Following on the recent inquiries about favorite dances that [INSERT
CRITERIA HERE], I'll post my request.
I'm finding that when I put programs together, I'll have a string (or at
least several) dances that have a LL F&B or a Ladies Chain and sometimes
both.
I'd be interested to know your favorite dances (of any experience level)
that use neither of these figures.
Thanks and Happy Holidays to all!
--
*Mark Hillegonds*
Cell: 734-756-8441
Email: mark.hillegonds(a)gmail.com
Anyone have some favorites to share? Especially interested in dances that
are simple enough to be part of a medley (they don't need to be dead
simple, just not absurdly complex).
Cheers,
Maia
The year I called the No Snow Ball in the SF Bay Area, Hillbillies from Mars agreed to include I Saw Mommy Kissing Santa Claus as one tune in a set. I sang it after dancers got their flow going, and it went great.
I like Alan's idea of including not only holiday tunes but bad holiday puns as alt dance titles. That way, you can choose excellent dances and still get your holiday theme on.
I also look forward to hearing more ideas here. Have fun!
Tina
>
> On Saturday, December 3, 2016 David Harding via Callers <callers(a)lists.sharedweight.net> wrote:
> I'm interested in familiar holiday tunes that work for contras. I know
> I've danced to Jingle Bells a couple of times (as Alan suggested), and
> think I remember doing a mixer to Gloria in Excelsis Deo. Any other ideas?
>
> David
>
>
>> On 12/2/2016 6:10 PM, Winston, Alan P. via Callers wrote:
>> Claire --
>>
>> In my experience, choosing dances because their titles fit a
>> particular theme isn't the best way to make programs.
>>
>> For Christmas holiday dances I'm used to bands slipping familiar
>> holiday tunes into their regular sets. (Jingle Bells fits in nicely as
>> a bouncy tune. Several carols can be played as waltzes.) You can also
>> playfully alter the names of dances you'd want to call anyway to make
>> them fit the theme.
Hi everyone! Wishing you all fabulous holidays. I’m so grateful for this resource.
I’m calling a small contra on 12/20 and would like to have some Beg/Easy modern contras with fun holiday theme titles. There is usually several new dancers and 1/3-1/2 beg to very experienced dancers.
I appreciate any choreography that you can share. I’ve searched all the dances I already have in Caller’s Companion.
Thank you So much!
Claire Takemori (SF Bay Area)
Hello Shared Weight,
Just feeling particularly grateful to the community of callers and
organizers out there. Thank you to all of you for the work that you do. I
believe it helps build stronger, more connected communities, and a better
world.
I personally lose sight of that sometimes, especially at year's end when
things get hectic. But whatever you're celebrating this weekend and holiday
season, my thanks go to you.
Take care,
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Here's what I actually called on post-election Wednesday in Baltimore:
Long May It Wave (Melanie Axel-Lute)
The Eyes Have It
Vote With Your Feet (Bob Isaacs)
Take All of the Credit and None of the Blame (Larry Edelman)
Not a Figment of Your Imagination (Lynn Ackerson)
The Dancer's Duty (Chris Page)
Kitchen Stomp (Becky Hill)
Break
United We Dance (Bob Isaacs)
The Tease (Tom Hinds)
There Is No Way to Peace, Peace Is the Way (Erik Hoffman)
Illegal in Most States (Robert Cromartie)
Jubilation (Gene Hubert)
[A little backstory -- I run a dance camp called FootFall. To avoid using
gazillions of paper cups at meals and dumping them in the landfill, every
year we provide all dancers with a travel mug (labeled with their names).
Every year it's a different color, and it has a different dance-related quote
on it.]
Thursday morning, I got the following email from someone who had been at
the Baltimore Wednesday night dance::
"My FootFall mug in my office says, 'We do not always dance because we are
happy, but we dance and cannot help but become happy.' Last night,
post-election, was such a night."
April Blum
I calling the Baltimore contra on Wednesday.
Vote With Your Feet of course.
Others I am considering are:
Take All of the Credit and None of the Blame
The Eyes Have It
Illegal in Most States
Not a Figment of Your Imagination
Rocks and Dirt
In Cahoots
Chaos Pie
Blueshift
The Dancer's Duty
Long May It Wave
There Is No Way to Peace
Any other suggestions?
April Blum
Hi All,
Thanks to all who've supplied names! Below are the names of most of my "Don't Know" dances. A few, reposted at the bottom of this email, are still mysteries.
~Erik Hoffman
Oakland, CA
My Right Hand Man
Becket
Roger Auman
A1 Wmn Allemande Rt 1½; Half Hey (Nb st Lft sh)
A2 NbrB&S
B1 on Lft Diag: Women Chain-to Shdw;
(w/ Shdw) Across: Right & Left Thru
B2 LLF&B; Partner Swing
a slight variation of: A Precarious Balance
Improper
Becky Hill-original has A1 as Nbr B&S
A1 DSD Nbr; Sw Nbr
A1 R&L Thru Acrss; Star Lft ¾,
end in a wave on the Wm's side Pt in left, Shdw in Rt
B1 BAL the wave, Al Rt Shdw; Sw Pt
B2 Circle Lft 1¼; CA twirl Pt
Early Morning Swim-w/ clarification from Kathy
Improper
Kathy Anderson
A1 Ones split the Twos: Mirror DSD to Circle;
BAL the Ring, Pt Rollaway with a Half Sashay Acrss
A2 DSD Nbr to a Wave, Mn in Center;
Rory O'More BAL (to put Wm in center)
B1 Wm Al Lft 1½; Sw Pt
B2 Prom Pt; Circle Lft ¾, Twos Arch, Pop the Ones through
Greenfield Petronella
Improper
Chris Ricciotti
A1 Ptnella BAL Twice
A2 BAL the Ring, CA Twril Pt; Sw Nbr
B1 Mn Al Lft 1½; Sw Pt
B2 Wm Chain; Half Hey, Wm start, Rt shoulder
>From a green piece of paper, the 2000 Echo Summit dance schedule. I should email Susan Kevra (the other caller) and see if she knows about this dance.
Rollin' and Tumblin'
Improper
Cis Hinkle
A1 BAL & Sw Nbr
A2 LLF&B w/ Wm Roll Away with Half Sashay (left);
LLF&B w/ Mn Roll Away with a Half Sashay (Rt, same Nbr)
B1 Wm Al Rt 1½; Sw Pt
B2 Wm Chain; Star Left
Fun Dance for Majoirie
Becket
Dean Alemain
A1 Crcl Lft ¾; Nb Sw
A2 LLF&B; Mn Al Lft 1½
B1 Pt BAL & Sw
B2 Mn Cross (4), Wm Cross (4); Hands Across Rt Star
Single File lead to next couple (Mn in lead)
California Twirlin'
Imp
Janet Levatin
A1 Bal Ring, w/ Pt, CA Twirl, turn alone to face in
Bal Ring, w/ Nb, CA Twirl, (I think:) turn alone to face in
A2 Bal Ring, w/ Pt, Ca Twirl to face new Nb; that New Nb Sw
B1 Circle Lft ¾; Pt Sw
B2 Wm Chain; LLF&B w/ Rollaway
(or, I think, LLF&B; Wm Chain /w Rollaway)
Backstitch
Improper
Al Olson
A1 (Remember this Nbr) LLF&B; BAL Towards Nbr One, Back, Roll Away with Half Sashay
A2 (still in lines) BALt towards Nbr Two, Away, Sw Nbr Two
B1 Mn Al Lft 1½; Sw Pt
B2 (with Nbr Two) Star Lft ¾; Sw Nbr One
>From Kathy Anderson at the Brattleboro Dawn Dance, May 29, 2000
Rollin' to the Grey Eagle
Improper
Hank Morris
A1 LLF&B w/ Rollaway; Women Chain
A2 Hey (Wm st Rt sh)
B1 Partner B&S
B2 Circle Left ¾; Neighbor Swing
Baridhara
Improper
Chris Weiler
A1 Star Right; Neighbor Gypsy
A2 Circle Single File Left Half (still looking at Neighbor Women lead) (4)
Neighbor Gypsy (some more) (4);
Neighbor Swing
B1 Give & Take: Women pull Partner back
B2 Women Chain; Star Left
Roll 12.5
Improper
Chris Page
A1 Nbr DSD; Nbr Swing
A2 LLF&B; Wm chain (to Pt)-end in Ring
B1 Ring Balance, Roll Nbr; Pt Swing
B2 Circle Lft ¾; Ring Balance, CA Twirl
Quicksilver Reel
Becket
Mike Richardson
A1 Long Lines Forwad & Back; Circle Left, Slide Lft (R&L T; Circle Slide, or LLF&B, Circle ½, Slide)
A2 Hey, Wm start, Rt shoulder
B1 Wm Al Rt ¾ to long wave in center (4), BAL; Wm back out WHILE Mn Al Rt with Man to Rt ¾ to long wave, BAL
B2 Mn step forward to Pt: Sw Pt
Ben's Spinoff #3
Becket
A1 Nbr Allemande Rt, Wmn Lft Pull By, Pt Allemande Rt, Wmn Lft Pull By
A2 Neighbor B&S
B1 Circle Left ¾; Partner Swing
B2 LLF&B; Women Chain
At least it was on a blue piece of paper that also had Hey for 40, as called by S.K.
Don't Know #1
Improper
Don't Know
A1 with Nbr, BAL, Bx Gnat; Star Rt
A2 Circle Lft ¾; Sw Pt
B1 Mn Pull By with the Left, Bx Gnat with Nbr;
Half Hey, Nbr start Rt Shoulder
B2 BAL & Sw Nbr
Don't Know #2
Improper
Don't Know
A1 BAL with Nbr, Gypsy (Rt shoulder);
Half Hey, Wm start Lft Shoulder
A2 BAL & Sw Nbr (opposite side)
B1 Wm Gypsy 1½; Sw Pt
B2 LLF&B; Mn Gypsy 1½ to progress
Don't Know #3
Improper
Don't Know
A1 Nbr BAL & Sw end in Circle
A2 BAL Ring, Pet Tw to wave: Pt in Rt, Wm in Cntr
Rory O'More BAL,
B1 Mn Al Lft once, Pt Sw
B2 Circle Lft ¾; Nbr Al Lft 1½
On an envelope
Don't Know Yet From Andy Wilson-June 1, ????
Imp
A1 "Hey" along lines: Pass Nb Rt, next Lft, 3rd Rt Shoulder Turn, pass next Left, to
Current Nbr
A1 w/ Current Nbr, ½ Rt Sh Turn then "Stalk": Wm crosses, Mn follows to other
side; Nb Sw
B1 Circle Lft ¾; Pt Sw
B2 Star Lft ¾; turn to face Nbr: BAL, Pull by w/ Rt
Says, Beware to start the "Hey" with the Right Shoulder. Could that last Balance & Pull By be with the Left?