If you're planning on coming to the Caller's Delight English/American mix
in VT tomorrow, you are MORE than welcome to stay after and eat/ talk shop.
If the weather is good, the Top Of The Hill Grill on the north end of
Brattlebore is the most likely candidate; if it's raining (please no..)
then Chinese might work better - we can decide just after the last waltz.
(Details are on the Dance Gypsy/Monadnock Folklore sites)
Cheers,
Amy
802-222-7598
I know at least three of us will be there next weekend, any interest in a
group meal or something? Or just crash into each other on the dance
floor? ;->
--
Hugs and backrubs -- I break Rule 6 http://rule6.info/
<*> <*> <*>
Help a hearing-impaired person: http://rule6.info/hearing.html
FWIW: June 24 is the feast day of St John the Baptist, patron saint of Quebec. So June 24 is Quebec's national holiday, bigger there than Canada Day a week later. (Camped last night in a state park in the Adirondacks, full of Québécois enjoying a long weekend....).
Richard Hopkins
Sent from my iPhone
> On Jun 25, 2016, at 4:01 PM, via Callers <callers(a)lists.sharedweight.net> wrote:
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> Date: Fri, 24 Jun 2016 13:56:18 -0700
> From: Amy Wimmer via Callers <callers(a)lists.sharedweight.net>
> To: callers(a)sharedweight.net
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> Anybody know the origins of Steve Schnur's dance "Twenty Fourth of
> June"? I plan to call it tonight, because....
>
> -Amy
>
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> End of Callers Digest, Vol 26, Issue 14
> ***************************************
I like these two at a glance; I'll take a closer look later. Thank you.
At the same time, I was asking for pulling by both ways, not just one way,
so more suggestions still welcome.
On Jun 20, 2016 4:50 PM, "Bob Isaacs" <isaacsbob(a)hotmail.com> wrote:
Ron and All:
I hope this isn't too weird for you. It adapted the diagonal Rory spins
first seen in Bill Olson's Eleanor's Reel into a single progression dance:
Let It Flow
Becket-L
Bob Isaacs, 7/26/04
A1. 8 L diagonal circle L ¾
2,2,4 N1 pull by R, N2 pull by L, N3 allemande R ¾ to wave/4
(1)
A2. 4,4 Balance R and L, spin R forward to wave/4 w/N2
(2)
4,4 Balance L and R, spin L forward
B1. 4,12 N1 balance, swing
B2. 4 Give and take to gent’s side
12 Partner swing
(1) – With gents taking L hands in the center and N3 keeping R hands on the
side.
(2) – With ladies taking R hands in the center and N2 taking L hands on the
side.
*http://www.youtube.com/watch?v=4eMPU6Enh-M*
<http://www.youtube.com/watch?v=4eMPU6Enh-M>
http://www.youtube.com/watch?v=LecYtmgdLLEhttp://www.youtube.com/watch?v=d1ZneH9zwsw
Bob
------------------------------
Date: Mon, 20 Jun 2016 15:34:47 -0400
To: callers(a)sharedweight.net
Subject: [Callers] Rorys + Grand R+L?
From: callers(a)lists.sharedweight.net
Any contra dances out there with a grand right and left around the set and
Rory OMoore spins? (Standard 32bar, nothing too weird)
I thought I've danced one that went something like:
Indecent
A1. N1 Pull by R, N2 Pull by L, N3 Pull by R, N4 Alle L 1x, N3 by R, form
wavy lines with N2, LH to N2, ladies in center.
A2. Bal, Spin L, Bal, Spin R ...
Then something? Maybe ladies spin all the way across on that second spin,
B+S partner, circle, do-si-do?
Or maybe the pull-bys go back to N1, and RH to N1 in waves?
Thanks,
Ron Blechner
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Hello all,
Just got a request from Axel Roehborn of the Erlanger Tanzhaus in Germany
asking for dances to be submit for a workbook.
Anyone have any familiarity with Axel or the group?
http://www.erlanger-tanzhaus.de/
As an academic, I get all sorts of requests for papers with publication
fees. This seems different, but set off my internal phishing sensors.
Thanks
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Any contra dances out there with a grand right and left around the set and
Rory OMoore spins? (Standard 32bar, nothing too weird)
I thought I've danced one that went something like:
Indecent
A1. N1 Pull by R, N2 Pull by L, N3 Pull by R, N4 Alle L 1x, N3 by R, form
wavy lines with N2, LH to N2, ladies in center.
A2. Bal, Spin L, Bal, Spin R ...
Then something? Maybe ladies spin all the way across on that second spin,
B+S partner, circle, do-si-do?
Or maybe the pull-bys go back to N1, and RH to N1 in waves?
Thanks,
Ron Blechner
I'm calling Rang Tang Contra tonight.
As it stands, the gents alone cross the set in the rang Tang. In the same
way as Alternating Corners, has anyone ever called this dance alternating
between gents and ladies crossing in the rang Tang?
I figure it could be done easily enough by having 2ladies alle L to start.
The timing would be slightly different than starting with a N alle R but as
the timing seems imprecise in this move anyhow......
Anyone?
Luke Donforth wrote:
> I didn't know it came via Scottish, but that makes sense. It's called tandem or alternating tandem reels there?
> It's not clear to me how it ended up being called a dolphin hey instead of a falcon hey; but I'm not going to try to change that vernacular.
You've got several possible concepts here (where, how much, with or without change of lead); 'dolphin reel' and 'falcon reel' in SCD are just shorthand terms for a couple of them:
[Non-alternating] tandem full reel[=hey] across: Scott Meikle http://my.strathspey.org/dd/dance/10920/, Cranberry Tart http://my.strathspey.org/dd/dance/9157/
Alternating tandem full reel across: Raven's Dance http://my.strathspey.org/dd/dance/10773/ (though I haven't heard this called a Raven Reel!)
Alternating tandem full reels on the diagonal [falcon reels]: Flight of the Falcon http://my.strathspey.org/dd/dance/2222/
Alternating tandem half reels on the diagonal [dolphin reels]: Pelorus Jack [a dolphin] http://my.strathspey.org/dd/dance/5209/
Alternating tandem (for two pairs!) full reel on the centre line: Eileen Watt's Reel http://my.strathspey.org/dd/dance/12793/
> When I ran it for contras, I had a demo on the floor (jumping down myself to do it, or working with a couple I had taught ahead of time). If I keep it rotation, I'll see if I can develop the language to teach it completely verbally; but for now I'll rely on a demo. I'd also be curious how other folks teach it; and I'll query some instructors of Scottish and/or English.
I have called Scottish, English and some contra in Cambridge. We're in the unusual position that our contra dancers pretty much all also dance ECD or SCD or both. So they're already familiar with heys for three (and at least for SCD we plan the programme for the first term to build up the figures gradually, as we have new students joining each year, and we won't introduce dolphin reels until we've taught the basic figure). So alternating tandem reels are relatively straightforward to teach. I begin by getting people to walk the reel with the dancing couple stuck together probably in promenade hold, then get them to walk it again but stop when the dancing couple have got out to the corner of the set. Then I get them to turn round and notice that the back person is now in the lead. I may warn people that a dance features a pantomime dolphin, which is much more interesting than a pantomime horse / cow, in that the people get to swap between the head and tail ends : p.
Edmund Croft,
Cambridge & Worcestershire, UK
When I teach a Dolphin hey with lots of people who don't know the concept I
get the active couple to link together (leader lets hands trail behind
back, trailer hooks on) and dance a hey for three without the active couple
trading places (this is also known as a Shetland Reel). Once they
understand the basic track I explain about the active couple trading places.
One of the keys to success it to persuade the leader to go wide at the end
of the line, in order to give the trailer plenty of room to take the lead.
Just Skylarking by Rhodri Davies is a contra dance with a Dolphin Reel.
Since it is visible at https://www.youtube.com/watch?v=_iKdR6B7hnw I assume
he won't mind if I post it here.
Just Skylarking (by Rhodri Davies)
Contra; Improper
A1: (Balance the Circle; Petronella Turn) x 2
A2: Neighbour Balance & Swing - end facing down
B1: Lines of Four Down The Hall (4); Dixie Twirl
Lines of Four Up the Hall - finish facing #2 Lady
B2: Dolphin Hey - finish with #1s looking down the hall for a new
couple, #2s looking up the hall
Dixie Twirl: #1s (in middle) Arch, #2 Lady leads the line through the arch
while #2 Man leads to the other end - no letting go
Dolphin Hey: #1 couple (in the middle) act as a single unit, but switch
leader at each end of the Hey
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent