What do folks do to ensure dance booking contacts remember that they've
booked you?
I just had my second booking in a row in a certain geography forget that
they had booked me. What's curious is that in both cases these dances
approached me by email (I could understand it maybe if it were the other
way around?), we had an exchange where we clarified the dates, etc. and
confirmed we were all set. We agreed to connect again with any final
questions on program, accommodation, etc. as we approached closer to the
date. The first case turned out to be rather comical in their confusion -
the second I can't figure out.
So, short of calling/emailing monthly, what do YOU do to ensure folks
remember their booking commitment with you?
Thanks,
Don
I've been adding Triplets into my programs in certain situations and have
given some thought about the duration to run them. I'm curious what others
have determined - how many times through do *you* run a Triplet? Let's see
if we can get a consensus value via a simple poll:
http://doodle.com/poll/yz9ubdr5e7fs4tuu
It would be helpful to me if you'd focus quantitative responses through the
poll.
Discussion or qualitative responses which inform your poll input are
welcome here in this thread.
Thanks,
Don
OK. So, hearing only crickets, I'm guessing I may be the first to try
creating a WP custom post type for dances. If I go that way, I'll share
back here.
Speaking of crickets... you might be interested in the below dance I
recently tested successfully.
Happy dancing,
Don
*Cricket's Flight - DI - Don Veino 20160320*
*A1*
(4,12) Neighbor Balance & Swing
*A2*
(8) Mad Robin - Gents into center first, left to right (CW around Neighbor)
(8) Gents Glance Around*^* LEFT 1x
*WHILE*
Ladies Orbit 1/2 CW (pass RIGHT shoulders w/adjacent set Lady)
*B1*
(8,8) Partner Glance Around*^*, Swing
*B2*
(8) LLFB
(8) Gents start Left Hands-Across Star 1x, Ladies Fall In behind P
The A2 here was inspired by Kent Koeninger's "Cricket's Delight" (
http://www.library.unh.edu/special/forms/rpdlw/syllabus2009.pdf#page=44).
*^Please, oh please*, I don't want to get the whole terms debate fired up
again and *I ask you not to* rekindle it on on the basis of this post. Given
the move is used twice here, I found myself in a quandary as to how to
annotate this dance to post it. "Glance Around" (or shortened to "Glance")
is a term I'm personally evaluating (a.k.a. Gypsy). I welcome you to
annotate/call this dance however you chose, or to ignore it, as you see fit.
On Mon, May 2, 2016 at 12:38 PM, Don Veino <sharedweight_net(a)veino.com>
wrote:
[snip]
> I'm wondering if anyone has already done the work of developing a custom
> post type and taxonomy for dances in WordPress?
>
> If not in WordPress, has anyone created a similar approach using another
> common blogging or Content Management System?
>
[/snip]
Someone in Ontario has contacted me looking for a caller of Contra and/or English dance who is part of the LGBTQ community.
This is for a one night event in August this summer, in Haliburton, Ontario, within a week-long camp for the LGBTQ community.
Contact me and I will hook you up.
Thanks!
Elizabeth Szekeres
Talent Coordinator
Toronto Contra Dance
Sent from my iPhone
Hey folks! I'm evaluating options for posting my dance compositions.
I'd like to do so in a way that provides capability for searching on
pertinent characteristics and for feedback/comments.
I could hack something together (slowly) on my main web site but I
currently also use WordPress as a blogging platform, and that already has
many of the desired features built in (search, categories, tags, comments,
anti-spam tools, etc.).
However, the generic WordPress blog post format doesn't provide a suitable
taxonomy for presenting a dance. I could just format stuff consistently
into the body of the post but I'm wondering if anyone has already done the
work of developing a custom post type and taxonomy for dances in WordPress?
If not in WordPress, has anyone created a similar approach using another
common blogging or Content Management System?
Thanks,
Don
[I'm writing this "to" Kalia because she was calling English at the Queer
Contra Dance Camp a couple of weekends ago, but then I figured other
people might find it interesting and/or useful]
Howdy Kalia,
I think I finally figured out part of the reason why I overall dislike
English despite its similarity to contra. Part of the figuring out was
teaching Postie's Jig at CALLERLAB this year. Basically, I don't have a
sense of balance, and something about the way English puts less emphasis
on giving weight makes it feel less comfortable for me. (I've got
similar issues with certain folk dances, such as Zemjo Makedonska, but
that's slow enough and repetitive enough that I can focus on balance.)
For anyone not familiar with Postie's Jig:
https://www.youtube.com/watch?v=JVYYCx7snk4
I noticed that you did some ECD that was different from the usual turn
single, slide across, etc, and I enjoyed that a whole lot more. I don't
have problems with e.g. heys because there's enough momentum to carry me
around.
Note that my balance issues are different from most other people's
because I literally have no sense of balance (e.g. can't tell when a
hammock is swinging) and I rely on visual/kinesthetic mechanisms to
balance -- which actually gives me good functional balance when I'm
moving, but much less when I'm standing.
If you run across other people with balance issues, this analysis may
allow you to do a better job of helping them figure out what works for
them.
Thanks,
Aahz
--
Hugs and backrubs -- I break Rule 6 http://rule6.info/
<*> <*> <*>
Why is this newsgroup different from all other newsgroups?
Hello shared weight callers :)
Knowing that callers do so much to support brand new contra dancers, as a
dance organizer, I have a question for you!
Ottawa Contra is working on a 1-pg handout to give to first time dancers.
The goal of the handout is to provide tidbits that will help convince first
timers to come back, that contra's accessible/they can be successful/climb
that learning curve, and that contra's a great fit for them. Who knows if
the handout will actually work but we want to try as part of our focus on
increasing the retention of all the beginners we get.
I have a few examples of other handouts but they often focus on explaining
the specific moves.
We're thinking more along things that speak to the spirit of contra/are
inspiring PLLLUS great technical tips (nuggets!) that can make a huge
different to their experience as beginners.
If you have any ideas, please pass them along. They may be little messages
you feel every beginner should know, or even tips you provide in the
beginner/intro lesson before the actual dance.
With much thanks!
Emily Addison in Ottawa ON
Emily,
as a relatively new dancer, I still remember my first dance and what made me want to come back.
The music was awesome, Seth Tepfer was the newcomer’s lesson teacher!!
We were welcomed and despite it being the Post-American-Week Gala dance, the dancers were kind to new dancers.
We only made it to the break and had to get our son to bed, but we all wanted to go back.
I don’t think anything written on paper would’ve made a difference if we were shouted at, pushed to get some place on time, or scowled at when we made a mistake.
This did happen to me at a recent ECD (not local) and being new to ECD made me very leery of going back.
just my 2 cents.
Claire Takemori (SF bay area)
On Apr 20, 2016, at 1:01 PM, via Callers <callers(a)lists.sharedweight.net> wrote:
Date: Wed, 20 Apr 2016 13:40:35 -0500
From: Emily Addison via Callers <callers(a)lists.sharedweight.net <mailto:callers@lists.sharedweight.net>>
To: "Caller's discussion list" <callers(a)sharedweight.net <mailto:callers@sharedweight.net>>
Subject: [Callers] caller suggestions for beginner handout
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Hello shared weight callers :)
Knowing that callers do so much to support brand new contra dancers, as a
dance organizer, I have a question for you!
Ottawa Contra is working on a 1-pg handout to give to first time dancers.
The goal of the handout is to provide tidbits that will help convince first
timers to come back, that contra's accessible/they can be successful/climb
that learning curve, and that contra's a great fit for them. Who knows if
the handout will actually work but we want to try as part of our focus on
increasing the retention of all the beginners we get.
I have a few examples of other handouts but they often focus on explaining
the specific moves.
We're thinking more along things that speak to the spirit of contra/are
inspiring PLLLUS great technical tips (nuggets!) that can make a huge
different to their experience as beginners.
If you have any ideas, please pass them along. They may be little messages
you feel every beginner should know, or even tips you provide in the
beginner/intro lesson before the actual dance.
With much thanks!
Emily Addison in Ottawa ON
(Sent this to Chris Page a week ago and no answer!.. so I'm asking the hive
mind.)
Using the G-word until there's a widely accepted substitute that doesn't
need a footnote to explain.
from a dance-writing session led by Jeff Spero at a recent dance camp...
This Was Your Idea
by John Kelley, John Bartlett, Sandy Gabucan, Andy Shore
Contra/ Duple Improper
A1 -----------
(8) Gypsy Neighbor1 Right 1.5
(8) Gypsy Neighbor2 Left 1.5
A2 -----------.
(8) Gypsy Neighbor3 Right 1x come back ...
(8) Neighbor2 swing
B1 -----------
(4) Give & Take to Lady's Side
(12) Partner swing
B2 -----------
(8) Right and left through
(8) Balance the ring and spin to the right (petronella) to face N2
Note that the progression happens in A2.
The Petronella into a (right shoulder) Gypsy seems unusual. I don't have
any dances in my collection that do that. Dancing it with a test group
seemed to be fine.
Thoughts?
--
/Andy Shore
http://site.andyshore.com/
best email - andyshore(a)gmail.com
Hello all,
I was flying home after some fun gigs in DC, and wrote out a dance sequence
that I didn't recognize. It's fairly straightforward, so I wanted to see if
it was already out there:
Improper
A1
(8) Neighbor Do-si-do 1x
(8) Women allemande Left 1.5x
A2
(16) Partner pass by Right for whole Hey for 4
B1
(16) Partner ____ & swing
B2
(8) Ladies chain
(8) Left hand star 1x
The B1 could be a balance and swing, a do-si-do & swing, a walk-around &
swing, etc. In the one I wrote, I went with a walk-around by right
shoulder; but if someone had already written this with a Ptr B&S or such in
the the B1; I wouldn't consider this a new dance.
I house-called it for a small test group, and it went reasonably. The DSD
only 1x in (8) and the overall flow means there can be a smidge of extra
time by the end of the hey; hence going with a walk-around instead of a
balance. Could also just be done to a slightly faster tune (I had
music-in-a-box, instead of the easier to adjust tempo of live musicians).
Looking forward to finding out if I've re-written someone else's dance
again. I've unintentionally done it more times than I can count.
Take care,
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>