This is how I have the dance.
A2 Ladies chain on L diagonal
Forward and back
file:///Users/davidmillstone/Documents/Dance/American%20Dances/Dance%20directions/%20Collections%20of%20dances/Gene%20Hubert%20dances/Gene%20Hubert%20contras.webarchive
David Millstone
Hi,
I seem to have 2 versions of Double Boomerang by Gene Hubert.
Becket
The only difference is in the A2
Version 1
A2 ON THE LEFT DIAGONAL ladies chain / Long lines forward and back
Version 2
A2 Long lines forward and back / ON THE LEFT DIAGONAL ladies chain.
Are there 2 versions being danced? If you call or dance it which version do
you do?
If there are really 2 versions, what are the advantages or disadvantages of
each.
Thanks, hoping to call it a week from Tuesday.
Rickey Holt, Fremont, NH
Thanks for all the responses.
I found the dance documented in a couple of Ralph Page Dance Legacy
Weekend Syllabuses. In both cases it is documented as Swing rather than
Balance & Swing - maybe because of the difficulty of getting back in
time for the Balance.
The version we danced seemed to work well; the ladies just continued
their Rory O'More spin until they were heading in the right direction to
start the hey, though the option someone suggested of Ladies Allemenande
Left 1/2 into the Hey also sounds good.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Dancing in Kent
Anyone recognise this:
Becket Formation
A1: Circle Left 3/4; Pass Through
New Ladies Allemande Left 1 1/2 to Partner and Ocean Wave
A2: Balance R/L, Rory O'More
Balance L/R, Rory O'More
B1: Full Hey - Ladies start Left Shoulder
B2: Partner Balance & Swing
I noted it down at a dance but didn't get a chance to ask the name or
the author. Can anyone help?
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Dancing in Kent
OK,
I am looking for dances that are from "Easy" to "Intermediate" in difficulty
that can be used in a mixed crowd that is not predominately beginners, but
more likely predominately experienced dancers, AND that do not have a ladies
chain or a circle in them. A few more Heys would be nice too. My
collection and the old American Country Dances on line database do not seem
to have any such dances. Any suggestions?
I am trying to program an evening with a minimum of repeating figures. I
realize that it may not matter. We have had this discussion earlier. But it
would be nice anyway not to have too many dances with a ladies chain in it
for instance.
Thanks all.
Rickey Holt, Fremont, NH
I'm calling a dance tomorrow. Being so close to April Fools day, I'm
planning just a tiny bit of foolishness. There's a dance, it may be called
Trick Or Treat, where the hook is a 16-count segment where the dancers are
encouraged to call some action of their own, so long as they end up back
where they started at the end. If anyone has a copy of this and can send
it my way, that would be great. Otherwise, I'll just put together my own.
Thank you,
--Ryan
I am calling a dance this Friday night for a small town in Florida that is
trying to start a contra dance series in their community hall. I have
several ONS-type dances that I use for weddings, but what I don't have is
very very easy dances for low numbers. This is their first event so we
could see 5 or 6 people. I need to make sure they have fun or it will be
the end of their dreams of a contra community! I've looked at Ted's
Triplets, but they are too complex for a group that has never contra danced
before. What are suggestions for ultra easy ONS-type dances that would
also work for very low numbers?
JoLaine
--
JoLaine Jones-Pokorney
"We are as gods and might as well get good at it!"
- Stewart Brand
Me too! Wow, what a great tool to keep in mind while planning out my programs.
Brian Hamshar
-----Original Message-----
Date: Tuesday, March 27, 2012 10:53:42 am
To: "shared weight" <callers(a)sharedweight.net>
From: "Chrissy Fowler" <ktaadn_me(a)hotmail.com>
Subject: Re: [Callers] What makes a program varied, how important is that
wow, i love don's analogy!
chrissy fowler
belfast, me
> ------------------------------
>
> From: Donald Perley <donperley(a)gmail.com>
>
> I'll make an analogy between an evening of 12 dances and an essay of
> 12 paragraphs.
>
> If a common word appears in every paragraph, I wouldn't notice. If
> it's a less common word, or every paragraph begins with the same
> word, or the same sentence appears in several paragraph, then I would.
>
> To me as a dancer, ladies chain or B&S I wouldn't notice as
> repetitious. Something like rory o'more or mad robin I would.
>
>
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Hi Callers,
I have asked this question before and still I do not understand this. I
suspect that it will take thinking about it several more times before I do.
Here is my question. What makes a program varied and how important is
that. Let me say that I am thinking of this in situations where most of the
dancers are experienced. I have had programs like this before and someday
mean to pay attention to this at dance evenings I have enjoyed. I have a
program in mind which I list below, that I know has 7 dances with a ladies
chains in it, six of them in a row. I know this because I am the proud and
happy owner of Will Loving's program "The Caller's Companion". Yet the
evening's program seems very varied to me. If the "hooks" or the mood of the
dances, for instance, are sufficiently different is that what matters. In
terms of variety versus too much repetition, how does this look to you. It
does not strike me as a boring program at all. The proposed program is:
Scout House Reel, Rod's Grits, MAD About Dancing, Ease About Mixer, A
Question of Balance, Zombies of Sugar Hill, [BREAK], Roll Eleven, Laura's
Zig Zag, Snowshoe, Shipping and Receiving, Fan in the Doorway, and
Sleepwalking
I am interested in your thoughts,
Rickey Holt,
Fremont, NH
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