I've uploaded some video clips from the recent Montpelier, VT, SquareBall hosted
by Will Mentor and Nils Fredland with financial support from Country Dance and
Song Society.
http://www.vimeo.com/13213390
More footage from this event (and from the Ralph Sweet book release party)
coming in the next few weeks as I get around to compressing and uploading it.
This first batch is a series of short clips illustrating some of the various
figures (and some breaks) called by different folks throughout the day.
Not a large crowd-- the event that night pulled in more folks-- but those who
were there had a good time.
Enjoy!
David Millstone
Lebanon, NH
Greetings,
I'm planning for a one night stand, or, more precisely, a one dance
stand, at my brother's wedding. I'm seeing all sorts of advice here
for the kind of dances to use in such a circumstance, so thank you
all.
But... he's asking what tunes the band should play, and I have no clue
as to the names of the best traditional tunes for contra. I only need
a couple.
Thank you in advance.
-Chris
Christopher Buck
In the New England style, I think you should look at squares by Tony
Parkes. Many of his squares keep the dancers moving and are fairly
accessible. My favorite, Festival Quadrille takes a bit more skill
but has incredible flow.
For patter squares one of my favorites is Arkansas Traveler. There
are many variations of this one that are fun as well. I also suggest
that you take a look at anything written by Ed Gilmore. My
understanding is that his two 33 1/3 records are now available on
CD. You must get them!
My notes tell me that Joe Tilmont wrote Tic Tac Toe.
Tom
Steve's Tempest, in honor of a Glen Echo dancer who just loves to swing.
A1. 1s down the hall, turn as couples (8); 1s up the hall, face the
nearest 2s (8).
A2 Circ L JUST halfway (2s are back to back in the middle, 1s on the
outside), Meanwhile figure: 2s arch, let the 1s pass under while the 2s walk
forward, back to their home side, Cal twrl to face in, ready to DSD the
other set of 1s who are fast approaching because -- (other half of the
meanwhile) the 1s: pass under the arch, then pass the other set of 1s in the center
(rt shoulder), arriving across the set just in time to DSD their
respective opposites (the set of 2s they did NOT circle with). There is JUST enough
time to do this. Really. I called it in Harrisburg, and it works.
B1 (Recovery mode) Double sets of long lines forward and back (8), swing
your opposite (the one you dosidid) (8)
B2 Circle left UNTIL the 2s are on the outside (home) and the 1s are on
the inside (6-8). Swing partner in triumph and relief. 1s end the swing in
time to go down the hall (1s will have traded sides with the other 1s).
Note that while the 1s head down the hall and back, the 2s, who started
swinging halfway through B2, may keep swinging for the entire next 16 counts
-- a perfectly legal 24-count swing.
I found it helped to remind the soon-to-be-1s who were out at the top to
form a crosswise line during the A1, and watch the 1s immediately below them
-- the dance feels VERY different from the "other side." That also makes
it easier for the 1s coming up the hall not to overshoot at the top of the
line.
I'd be reluctant to call this one in a VERY crowded hall, the double pass
thru in A2 needs some shoulder room.
April Blum
In a message dated 7/1/2010 12:00:13 P.M. Eastern Daylight Time,
callers-request(a)sharedweight.net writes:
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Today's Topics:
1. Re: Anyone have a "tempest" formation dance ?? (David Millstone)
2. Re: Anyone have a "tempest" formation dance ?? (Amy Cann)
----------------------------------------------------------------------
Message: 1
Date: 01 Jul 2010 10:19:22 -0400
From: David.Millstone(a)valley.net (David Millstone)
To: callers(a)sharedweight.net
Subject: Re: [Callers] Anyone have a "tempest" formation dance ??
Message-ID: <132629016(a)retriever.VALLEY.NET>
Content-Type: text/plain
Ted Sannella's dance, "Ted's Tempest" is lots of fun, though dancers need
to
keep sets compact. You'll find directions online in the syllabi for the
Ralph
Page Dance Legacy Weekend (always a good place to go when you're looking
for
dances... start with the index and sort from there)
And Bec, you'd be particularly interested in "Toronto Tempest" by David
Smukler:
http://www.davidsmukler.syracusecountrydancers.org/DSS.html#toronto
David Millstone
Lebanon, NH
------------------------------
Message: 2
Date: Thu, 01 Jul 2010 10:36:12 -0400
From: "Amy Cann" <ACann(a)putneyschool.org>
To: millstone(a)valley.net
Cc: callers(a)sharedweight.net
Subject: Re: [Callers] Anyone have a "tempest" formation dance ??
Message-ID:
<fc.0118c72d00c372363b9aca005c4c93e4.c3723f(a)putneyschool.org>
Content-Type: text/plain; charset=ISO-8859-1
I wondered where you were, David !
Anytime anyone asks "anyone have a dance in X formation "
I expect you to be there with a "yes of course, here's three great ones " i
pretty much immediately...
Cheers,
Amy
(long live non-contra's !)
------------------------------
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End of Callers Digest, Vol 71, Issue 1
**************************************
Thanks everyone for the tempest formation suggestions! You folks are great!
And yes David, I was particularly interested in "Toronto Tempest" and am
going to go with that one!
Happy Canada Day to JD and any other Canadians lurking, and Happy 4th of
July to all you!
Bev
I caught the last part of that. Thanks for providing the link, I
wanted to listen to the rest of it.
Martha
On Jul 3, 2010, at 9:00 AM, callers-request(a)sharedweight.net wrote:
> Send Callers mailing list submissions to
> callers(a)sharedweight.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://www.sharedweight.net/mailman/listinfo/callers
> or, via email, send a message with subject or body 'help' to
> callers-request(a)sharedweight.net
>
> You can reach the person managing the list at
> callers-owner(a)sharedweight.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Callers digest..."
>
>
> Today's Topics:
>
> 1. NPR piece (David Millstone)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: 02 Jul 2010 21:06:35 -0400
> From: David.Millstone(a)valley.net (David Millstone)
> To: David.Millstone(a)valley.net (David Millstone)
> Subject: [Callers] NPR piece
> Message-ID: <132681012(a)retriever.VALLEY.NET>
> Content-Type: text/plain
>
> If you missed it, here's a link to the story about young people and
> contra dance
> that aired tonight on National Public Radio.
>
> http://www.npr.org/templates/story/story.php?storyId=128273050
>
> I've asked Marika Partridge, the producer of the piece, if there's
> a way that we
> can listen to the longer version that she hoped would air. Instead,
> NPR did a
> lot of editing and ran a much shorter piece. I'll let the list know
> if there's a
> way we can hear-- with apologies to the late Paul Harvey-- The Rest
> of the
> Story.
>
> David Millstone (aka "the old-time caller")
> Lebanon, NH
>
>
> ------------------------------
>
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
>
> End of Callers Digest, Vol 71, Issue 3
> **************************************
Ted Sannella's dance, "Ted's Tempest" is lots of fun, though dancers need to
keep sets compact. You'll find directions online in the syllabi for the Ralph
Page Dance Legacy Weekend (always a good place to go when you're looking for
dances... start with the index and sort from there)
And Bec, you'd be particularly interested in "Toronto Tempest" by David Smukler:
http://www.davidsmukler.syracusecountrydancers.org/DSS.html#toronto
David Millstone
Lebanon, NH
HI all,
Anyone have a tempest formation dance they can share with me? Tempest
formation is a line of 4 facing down between 2 side couples facing in.
I've found one, called The Tempest, but other than the formation itself,
there's nothing particularly challenging about it. I wonder anyone knows of
others. Please let me know.
Thanks in advance!
Bev
***************************************************************************
The Witful Turnip wturnip(a)sympatico.ca
"Ambition is the last refuge of failure."
- Oscar Wilde
***************************************************************************
Hi to everyone and especially to any dance organizers or organizer-
wanna-be s.
I'm passing on this promotional info for a local dance organizer. He
notes: Just to be clear, there will not be any "callers training" as
such. Callers are most welcome, but it is about the issues and
mechanics of running dances and organizations.
From the early materials I saw, it looked like it offered some-25+
specific-topic courses grouped under three stages of community
development. Good stuff!
Joy Greenwolfe
Durham, NC
Southeast Dance Leadership Conference:
Tools for a Vibrant Dance Community
October 1-3, Haw River State Park, Summit Conference Center
Browns Summit, NC (near Greensboro)
Presenters will be: Diane Silver (NC), Bruce Hamilton (english caller
from CA), Shawn Brenneman (VA), Rob Harper (Atlanta), and Tyler
Johnson (NC-sound)
The Leadership Conference will be an opportunity to gain tools for
growing, nurturing, and sustaining a thriving dance community. It
will be a time to network with other organizers, callers, musicians,
and dancers from the English, Contra and Square dance communities.
This will be a unique chance to meet and talk on a lot of important
issues.
Learn about the business of operating a dance, marketing your skills
or organization, sound operation, care of a dance floor. Share ideas
for dealing with challenges like under- or over-attendance, different
skill levels and generations, atypical (unexpected) events, getting
and keeping help, developing talent, fulfilling your vision and
recognizing when its time to revisit your vision. Outreach and connect
to neighboring organizations. And have fun too!
Format will include classes, facilitated discussion groups, and time
to consult with experts. Opportunities will be provided for
networking. Meetings to take place on request.
The website has more information, and hopefully by this weekend, we
will have longer descriptions of the courses/topics.
http://conference.rivertone.org.
--
On Fri, 25 Jun 2010 11:01:26 -0400,
Will Loving <will(a)dedicationtechnologies.com> wrote:
.
.
.
> Actually, I like Alternating Corners despite the fact
> the caller has to keep calling. And my perception
> is that modern dancers generally like it too compared
> to a more traditional corners dance like Chorus Jig
> where you have to wait to be active (and which may
> never happen if sets are long). For a dance like this,
> sometimes all you need is a Lisa Greenleaf style
> minimalist prompt such as quietly saying "ones" and
> "twos" just to keep things going. I think the alternation
> makes the dance more interesting and I don't see it
> as my purpose to have every dance send dancers off
> into that la-la, altered zen state (that I nonetheless
> cherish as a dancer...)
> Will
There are at least a few alternating corners dances out there -- the one that I call has a circle left immediately before the ones and twos need to figure out who is active, so as a caller it is easy to see who to prompt
If there are couples at the top of each set who are not in a circle-of-four, it's the twos' turn; if the top of each set has a full circle-of-four, then it's the ones
At some point in the dance, I have essentially dropped the calls except for prompting "ones" or "twos" to be active -- and occasionally I get distracted and drop that as well, but the dancers always knew what to do when that has happened
Mark Widmer