Thanks for the plug, Becky. I found that that link didn't work... folks
interested in my film about Dudley might have better luck with this one:
http://www.laufman.org/videofilms.htm
David Millstone
David Millstone used a portion of that film in "The Other Way Back",
which all should see, if they haven't.
http://www.laufman.org/OtherWayBack/film.htm
~ Becky Nankivell
Tucson, AZ & Long Beach, CA
On Tue, Aug 24, 2010 at 9:00 AM, <callers-request(a)sharedweight.net> wrote:
> Send Callers mailing list submissions to
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> Today's Topics:
>
> 1. Contra History (Liz and Bill)
> 2. Re: Contra History (Lindsay Morris)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Tue, 24 Aug 2010 20:21:48 +1200
> From: Liz and Bill <staf186(a)ext.canterbury.ac.nz>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: [Callers] Contra History
> Message-ID: <4C73811C.4040105(a)ext.canterbury.ac.nz>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Hi
>
> Have you seen this from 1964?
> http://www.youtube.com/watch?v=pZubTju7g_s
>
> Cheers, Bill
>
>
>
>
> ------------------------------
>
> Message: 2
> Date: Tue, 24 Aug 2010 09:01:26 -0400
> From: Lindsay Morris <lindsay(a)tsmworks.com>
> To: "Caller's discussion list" <callers(a)sharedweight.net>
> Subject: Re: [Callers] Contra History
> Message-ID:
> <AANLkTine40uKx8P9uizX0_ggKcxucyMjSArJ5+rm6CuH(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Wow, that's beautiful!
> And JUST like today - even with a kid sleeping on the bench!
> --------------------
> Lindsay Morris
> CEO, TSMworks
> Tel. 1-859-539-9900 <skype:18595399900?call>
> lindsay(a)tsmworks.com
>
>
> On Tue, Aug 24, 2010 at 4:21 AM, Liz and Bill
> <staf186(a)ext.canterbury.ac.nz>wrote:
>
>> Hi
>>
>> Have you seen this from 1964?
>> http://www.youtube.com/watch?v=pZubTju7g_s
>>
>> Cheers, Bill
>>
>>
>> _______________________________________________
>> Callers mailing list
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>
>
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> End of Callers Digest, Vol 72, Issue 16
> ***************************************
>
I had the pleasure of touring interstate on the weekend and calling for a dance
workshop and dance. I worked out the programs on the assumption that the overall
skill level would probably be lower in the evening dance than the workshop. (The
Saturday night phenomenon). So, having survived by adapting the program to err
on the side of easier dances, after a group of about 8 total beginners arrived
part way into the dance, I am keen to hear other people's ideas on dealing with
this.
Cheers
Jeanette
The piano - 88 little mistakes waiting to happen; Peter Barnes
Hello all,
I've been thinking about buying a small netbook with the intention of
running Callers Companion software on it for calling contra dances.
Anyone have any experience with CC on netbooks or the like? Compatible
with Windows 7, battery issues, memory requirements, etc.
Will, if you're on this list and have time, I'm sure you've got the
most information. I'd like to hear it.
Thanks
--
Luke Donev
http://www.lukedonev.com
Luke.Donev(a)gmail.com
I am one of the organizers of FootFall Dance Weekend, and I dance at Glen
Echo. I teach the beginners class there on a regular basis. I always tell
beginners that they will learn more, faster, if they dance with experienced
dancers, and that includes coming to a dance weekend, where it's total
immersion.
We've always had a least one inexperienced or brand new dancer at FootFall,
but never so many beginners at FootFall that I've felt a beginners' class
is necessary. In my experience, the dancers who are there (with a few
impatient exceptions) are genuinely pleased to bring new dancers "up to speed."
Personally it's a pleasure to watch the expression change from grim
concentration to smiling delight as these brave newbies find themselves floating
along the line.
April Blum
In a message dated 8/14/2010 12:00:10 P.M. Eastern Daylight Time,
callers-request(a)sharedweight.net writes:
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Today's Topics:
1. Re: newcomers' workshops at dance weekends (Greg McKenzie)
----------------------------------------------------------------------
Message: 1
Date: Fri, 13 Aug 2010 11:15:06 -0700
From: Greg McKenzie <gregmck(a)earthlink.net>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] newcomers' workshops at dance weekends
Message-ID: <E1Ojymb-0000R8-Db(a)elasmtp-mealy.atl.sa.earthlink.net>
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Katy,
Thank you for introducing this subject.
One of the greatest ironies of the contra dance "movement" is that,
by convention, the most wonderful bands, and callers--because of
their notoriety--are most often scheduled at events, camps,
festivals, and dances where newcomers seldom attend. Consequently,
the first experience, for most of us, with contradance is not the
inspiring experience of an exciting event in a hall filled with
regular dancers, a hot band, and a caller with the knowledge and
experience of integrating newcomers.
Thank you for considering alternatives to this convention.
Keep in mind that there are many ways to work on integrating
newcomers. A separate orientation is certainly not the best and, it
could be argued, is not even a good way to accomplish this integration.
Personally, I actively encourage newcomers to sign up for camps,
festivals, and special events. With a good caller this can be the
best introduction to the magic of contra dance.
I am interested in other views on this.
- Greg
***********
At 10:23 AM 8/12/2010, you wrote:
>My dance organization, Hands Four Dancers of Ithaca, likes to offer
>a beginners' workshops before an evening dance. We are now
>discussing whether or not to make this official policy for ALL
>events, including the day-long Fiddlehead Frolic in April. The
>Frolic begins in the early afternoon and, in 2011, will probably
>include a welcome contra dance with the featured band, then a couple
>of breakout sessions (contras with a second band vs. music workshop
>w/featured band; ECD vs. squares), then a contra medley; followed by
>potluck and an evening dance.
>
>What are people's thoughts about the value of a beginners' workshop
>at such an event?
>
>--Katy Heine
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End of Callers Digest, Vol 72, Issue 13
***************************************
I know I've seen some beginners attend a dance camp and truly enjoy
it. The ones who have a good time tend to be very confident people.
On the other hand I've also seen beginners feel very uncomfortable at
dance camps. Some, for example feel that they're holding the group
back because they aren't as skilled. Usually they end up watching
the dancing.
What I look at is the skills required to dance at a community dance
verses the skills required to dance at a dance camp. The skills
required for dancing at a dance camp may be over their heads. There
isn't enough time to practice and digest all of the various moves
thrown their way.
I often hear people say, "come on it's easy". But for some it isn't
so easy. People's skills vary tremendously. We contra dancers find
contras to be easy and accessible. Maybe there are other activities
that we would find challenging.
So here's an invitation for all you hot shots. Let's go white water
kayaking. You have your choice of an easy class 2 river with an
average instructor OR you can take on that roaring class 5 river with
a truly amazing instructor. You may roll over and hit your head but
you will be inspired!
The last thing I think we should consider is the experience of those
who have been dancing for some time. I'm sure they go to dance camps
for various reasons. Some may go because of the higher level dancing
and that means having few or no beginners.
Tom
My dance organization, Hands Four Dancers of Ithaca, likes to offer a beginners' workshops before an evening dance. We are now discussing whether or not to make this official policy for ALL events, including the day-long Fiddlehead Frolic in April. The Frolic begins in the early afternoon and, in 2011, will probably include a welcome contra dance with the featured band, then a couple of breakout sessions (contras with a second band vs. music workshop w/featured band; ECD vs. squares), then a contra medley; followed by potluck and an evening dance.
What are people's thoughts about the value of a beginners' workshop at such an event?
--Katy Heine
Hi,
I live in the far reaches of Kent, England, ninety minutes away from the
nearest contra monthly dance and 2 or 3 hours from the nearest contra
dance band.
My wife and I love contra dancing - we spend most of our holidays in the
USA!
So we have started our own club and are teaching beginners from scratch
- people who have never done a folk dance in their life.
We run our club every Monday evening in a village hall, and teach a
90-minute class every Tuesday in the local leisure centre. We also run
dances for people who want a barn dance but can't afford a band.
So we have to use recorded music.
Fortunately there are some great recordings out there. CDs by English
bands like the English Contra Dance Band and Skylark have already been
mentioned. Vertical Expression and Fiddlin' Around have also made CDs.
All with lots of danceable tracks of suitable length.
And of course there are hundreds of CDs by great American bands. Our
favourite at the moment is the new Wild Asparagus double CD "Live at the
Guiding Star Grange". Our dancers especially like "On the Danforth"
(106bpm and builds beautifully).
Two great resources:
cdbaby: http://www.cdbaby.com and select Genre, Folk, Contra Dance to
get to
http://www.cdbaby.com/Style/846
You can listen to many of the tracks and then, depending on the album,
you may be able to choose between buying the CD, downloading the CD, or
downloading selected tracks. I checked quality with them and got the
response "All of the mp3s that we sell are encoded at 200 kbps variable
bit rate and are D.R.M. Free :-)".
And Contracopia: http://www.contracopia.net/
Lots of great bands and great CDs.
As has already been mentioned, you do need to check each track. I use
Cool Edit to ensure that every track has an intro, and provides sets of
8x8 beats (also known as 32 bars, but I am a dancer, not a musician!).
I use a spreadsheet to record: Length of intro, speed in bpm, number of
8x8s, length of track, plus notes on quality, feel, challenges, etc. I
can then quickly select a track when I need to meet the changing
dynamics of an evening's dancing.
We have had great success with recorded music and couldn't function
without it. Thanks to all you wonderful musicians who have made these
CDs for us.
Although I am computer-literate and have my mp3 player with me for
backup, I prefer to work with CDs. I recently bought a Numark NDX200 CD
Deck to allow me good control - I can cue it up to start where I want,
see the remaining time easily, restart a track easily and alter the
speed if the dancers are having problems.
Yes, of course we would rather have fantastic live music every night.
And we do indeed get one of the great contra bands to come down here
once a month for our big Saturday night dance.
But recorded music also allows us to experiment - we have been using
some great swing, pop, eCeilidh and tango tracks for dancing and the
dancers love it. It is extra work for me, as finding suitable
instrumentals and editing them into 8x8s is not easy. But it is very
rewarding, and gives an experience which you can't actually achieve with
a single live band.
We will continue to spread the joy both ways :-)
Happy dancing,
John
John Sweeney, Dancer, England info(a)contrafusion.co.uk 01233 625 362
http://www.contrafusion.co.uk for Contra Dancing in Kent
Hey everyone,
Here is a dance I'd like to share with the hive. Hope you enjoy it.
This dance is dedicated to the memory of Jeff Ratch, a great friend, dancer,
and human being. He brought out the best of us in so many ways.
Jeff's Gypsy Duple Improper
by Paul Wilde
A-1 1's Gypsy & Swing
A-2 1's in the center in a line of four down the hall, (just 1's drop
hands) (4 b.)
2's hand cast 1's to change places (1's forward, 2's backing up).
(4 b.)
Return & fold the line into a circle (1's facing down).
(8 b.)
B-1 Circle L 1x
Pass Neighbor 1 by the R (1's down, 2's up) Gypsy L w/ next
Neighbor (N-2)
B-2 Return to Gypsy Neighbor 1 by the R, meltdown into a Swing
Dancers: The gypsies are our connection in this dance. Gypsy for all
you're worth.
Notes: At the ends, don't cross over, but face your P as you would N-1 and
pass by the R to gypsy N-2 by the L. Return to your P (still acting as
N-1), gypsy R, swing, and end facing back into line crossed over. At the
top of the set, this allows you to do a 2nd gypsy & swing w/ your P, now
that you are the new 1's.
Keith Murphy's tune, "On the Danforth" seems to fit it ever so nicely. Any
suggestions of other tunes that go well with it would be greatly
appreciated. Ed. note suggests smooth jigs or reels at an easy tempo.
(Thank you Lisa.)
It is a relaxed and somewhat fluid dance (I hope) that begs an easy tempo.
It might work for a bit of a breather in a hot hall. As a friend pointed
out, there's no physical connection during the gypsies, so a relaxed pace
keeps people from sliding around.
much love,
Paul Wilde
PS I think the dance is gender free as called above. Comments welcome.
> I have a vague recollection of hearing about sung contras one time, and was
> wondering if indeed there are any, and any resources available for learning them
> (from here in Australia). Just hearing Ralph Sweet on the CDSS website doing The
> Auctioneer reminded me.
There's at least one. Check out the 2008 Ralph Page Dance Legacy Weekend syllabus, online, page 47. Dave Colestock called the singing contra "The SGB Contra" to the tune of Sweet Georgia Brown. Dave adapted the dance from one, on record (vinyl), called "Sweet Georgia Brown Contra." More details in the syllabus. I couldn't get the tune out of my head for weeks after dancing to it, doggone it. Dave's on this list, so he may want to add more himself.
Jeremy
