A space conundrum for you all.
I'm calling a wedding reception for approx 150-170 guests with a
designated dance dance space of 35 feet x 16 feet. No options for
expanding or last minute venue switches.
(Also note that the band rather than myself was consulted on venue
space. I've seen the diagram, and the space is at least well-used.
The dance space is arranged lengthwise at the end of the large hall
next to the tables. )
How many people (non dancers) would you realistically expect to get
onto this floor at once?
I'm contemplating some circle dances, some scatter mixers and some
longways sets. Maybe a single file spiral around the perimeter of the
room. The guests are mostly non-dancers, occasional contra dancers
and a few Scottish/ceili dancers thrown in for spice. I don't think
I can get all 150+ people into that space at once.
Thoughts? Calculations?
Joy Greenwolfe
Durham, NC
Jack asked about the two Ted Sannella dances shown here:
> The Dare to be Square 2009 Archive is on the air! Go to
> http://vimeo.com/ and find the search box, click on "channels" and
> enter "dtbs". Have a look around.
Both of these dances appear in print in Ted Sannella's book "Swing the Next."
The first one is "Pass Through and So-si-do," for which Ted suggests the tune
Ronde de Voyageur. The second one is "Gents Three-Quarter Star," for which Ted
suggests the tune Brenda Stubbert's Reel, written by Jerry Holland.
For callers on this list who do not already own copies, I highly recommend Ted's
book and his earlier one, "Balance and Swing." In addition to presenting lots of
material (contras, squares, triplets) written by Ted as well as by others, the
books offer excellent tips on how to present each dance, suggested wording of
calls, notes on challenging transitions... in short, a master class on how to
present each dance.
Both books are available online from CDSS:
http://www.cdss.org/north-american-dance.html?order_by=&per_page=20&filters…
at&format=bk&for=sannella&search=
David Millstone
Lebanon, NH
Greetings,
Bob Dalsemer recommended I contact you about a dance archive from last
year's Dare to Be Square, held here in Seattle. He thought your
members might be interested in this material; I hope so! What follows
is the note I sent out to DTBS attendees last April. Let me know if
you have any questions.
Cheers,
Tony Mates
Hi Everybody,
The Dare to be Square 2009 Archive is on the air! Go to http://vimeo.com/
and find the search box, click on "channels" and enter "dtbs". Have
a look around.
To keep this material from going viral, we ask that you exercise
respect and discretion about what you do with it. Since it was the
staff and attendees of DTBS 09 who made these videos happen, we'd like
to keep it in the family, so to speak. If you know a caller who might
benefit from seeing this, fine, but please ask that she or he also
respect DTBS and the folks who made it possible.
For a guided tour read on.
My goal was to capture the essence of what Bob Dalsemer brought to his
workshops at Dare to Be Square this year, and then make it available
to all who participated. A dedicated crew of volunteers and I filled 5
one hour tapes with video. We attempted to get Bob's teaching of each
particular dance, both from the stage and any demonstrations on the
floor. We also tried to get a representative sample of the dance
being done to the music.
As it happens I wish we had covered more material, but then, given the
work involved in editing 5 hrs of video and 7 of audio, maybe it was
for the best. My apologies for the parts that were left out. In
particular I'm sorry there was not more of the actual dancing.
What we do have is selected video and complete audio from the
following daytime workshops:
Square Dancing For All
West Virginia Squares
New England and Singing Squares
Cool Versions of Classic Squares
Souped Up Squares
Also there is some video and about an hour of audio from
Timing ,Timing, Timing and about half an hour of the Monday night
dance. I have also received some video from Cory Podielski and Doug
Plummer, which will be added soon to supplement the archive.
Navigation: You'll need a high speed internet connection. Go to: http://vimeo.com/
and look in the upper right hand corner for the white space that
says "Search Videos". When you slide the cursor into that area a drop
down menu opens; click on "Search Channels". Enter dtbs into the
search area. This should bring up "DTBS09 29 videos". Click on DTBS09
to bring up all the videos. Hit the "play" triangle at the lower left
corner of the screen to begin viewing. Click on "description", below
the screen, for notes on personnel, tune names etc. [Please note:
these descriptions are a work in progress. More notes will be added in
the next few weeks.]
Each of the 29 videos has a title: DTBS 09 [Workshop Name] a number
(1-6) and then the name of a dance figure. The number is to show the
order of the episodes within each workshop. So for example "DTBS09
Square Dancing for All 1 Big Circle" shows material from the first
dance of the workshop; "DTBS09 Square Dancing for All 2 Texas Star" is
the next dance in that workshop, etc. This should help illustrate how
each workshop unfolded.
Downloads. You must join Vimeo to download these videos.
After listening to my audio recordings of the workshops I realized
that the video may have captured the main points of each dance, but
failed sometimes to give a sense of the whole; particularly as Bob
often adds twists- or even new figures- later on in the dance. The
audio links below cover the entire workshops, with the exception of
Timing! Timing! Timing! which I only got about an hour of.
Square Dancing for All:
http://tinyurl.com/yb86a5k
West Virginia Squares:
http://tinyurl.com/ydn9g9m
New England and Singing Squares:
http://tinyurl.com/y9njnhy
Cool Versions of Classic Squares:
http://tinyurl.com/ydzzywa
Timing, Timing, Timing:
http://tinyurl.com/yeqmwge
Souped Up Squares:
http://tinyurl.com/yjzju42
As I say, we did our best. Any faults in the execution or production
of this material are solely mine. If you have questions I will try my
best to help: write to Tony Mates at: mates.tony(a)gmail.com.
Or give me a call! I'd rather chat. 206-723-3897.
Credits:
Billie Burlock, Tony Mates, Brittany Newell and Paul Silveria shot
video on a camera
kindly lent to us by Charlie Beck. Cheers to a very helpful crew!
Audio and video editing by Tony Mates. A Noderinksere production.
Expert help and counsel from Charmaine Slaven, Charlie Beck, Catherine
Alexander, Gabe Strand, Doug Plummer and Johnny Calcagno.
And of course many thanks to all of the performers, crew and dancers
who made Dare to Be Square 09 happen. Having spent many hours now in
front of a laptop watching many of you dance, or call, or play music,
it is a pleasure to present this material for your enjoyment and
enlightenment.
Once more:
To keep this material from going viral, we ask that you exercise
respect and discretion about what you do with it. Since it was the
staff and attendees of DTBS 09 who made these videos happen, we'd like
to keep it in the family, so to speak. If you know a caller who might
benefit from seeing this, fine, but please ask that he or she also
respect DTBS and the folks who made it possible.
Tony Mates, March, 2010
Heads Up! Feet Smack!
Dare to Be Square is coming back!
Nov 4-7, 2010
tony mates
206-723-3897
ckittyroo(a)aol.com
Seems like I've called a kajillion dances for total beginners, including
many rowdy, well-lubricated wedding parties, some K-3rd-grade groups, and
one memorable reception in a gym full of of wound-up Russian high-school
exchange students, few of whom understood English, and their American peers,
none of whom had done any American traditional dance before. I largely agree
with everything that everyone else has said and recommended...
...And yet, in more than 75% of these cases I've chosen to include the
contra "Ellen's Green Jig" by Roy Dommett or one of several variations on it
I've evolved. It takes a little longer to walk through, which I do at least
twice, but it has never, ever failed (sorry if I'm duplicating some info I
think I've posted before). I think that's mostly because of the high level
of connection sustained and the small amount of movement away from original
places. The walkthrough demands enough attention that it actually defuses a
lot of that random unfocused adolescent energy. I disregard gender and
improper formation completely for the most challenging situations. Lots of
practice with such groups has significantly built up my comfort and
confidence, but this dance worked just as well way back when I was starting
out. If there are others that people can trust to work this well, please
share them. Here's the original and a couple tweaked versions:
A1: Dosido below; !s (actives) dosido;
A2: 1s bal, swing
B!: Circle L and R
B2: 2s arch, 1s take a peek; 1s arch, 2s peek;
2s carry arch over the 1s, who duck, then advance to next
Insisting that the 2s don't just stand still and let the 1s go through the
arch prevents the set getting dragged down the hall.
Variations:
A1: As couples, 1s and 2s dosido; circle L
A2: All bal, swing
B1: Star R, circle R
A1: Dosido below; circle L
Depending upon how the group has responded to material such as others have
suggested, I mix and match the various components above...
...And meanwhile: just last summer, I was asked to guest-call at a MWSD club
retreat in northern Vermont. The saving grace was that my invitation was set
up through some musicians who had been invited to play at the retreat during
a break between SD sessions. Having that live music at the right tempo
totally uncoupled the wary "shuffle quickly, then wait" pattern that
characterized the 45 minutes of mixed-ability and advanced level MWSD done
to recorded SD beats (and genuinely skillful prompting) before we were on.
We did a Virginia Reel variant, then an Ellen's Green variant, and the
behavior of these mostly 40-plus-year-olds rapidly became almost identical
to what you often see with high-schoolers: lots of exhausting skipping and
sashaying through the figures, laughter, and the kind of giddiness that gets
in the way of hearing the next call. Who'da thunk it? And after it was all
over they asked where else they could do this sort of thing.
Chip Hedler
A friend is looking for a caller and a band for June 25 in North
Yarmouth, ME. Her request is below. Anyone interested should contact
her directly. Her name is Janine Marthai (pronounced "Mar-They").
Walter Daves
Hello Walter,
We would like to host a contra dance on the Friday night before our
daughter's wedding. Its in North Yarmouth, Maine and the date is June
25. There may be 40-70 guests and our site has a wooden floor with
plenty of set up space. Most have never done a contra dance so we would
want an instruction time first.
This will be an informal picnic setting, from 5:00 - 8:30 pm.
Considering a dance from 6 or 6:30 until 8pm, after the cook out. We
are looking for someone who is good at teaching, enjoys calling, or is
even looking for one more chance to practice their calling skills. A
small band of 2 or 3 would be fine.
Interested parties can call 843-819-1444 not any later than June 11, and
ask for Janine.
Many thanks.
Hi All,
I followed the recent discussion of planning a dance for a highschool
audience. I'd love to hear what you consider to be your "favorite"
wedding dances for a wedding party of adults with some dancers in the
mix but not too many, where the dance will run 45 minutes to an hour.
I'm looking for non-contras, accessible to all dances.
I've got the spiral waltz and Do-Si-Three as part of my preliminary
planning.... Thank you very much Chrissy Fowler and Linda Leslie....
What else is tried and true and among your favorites?
Thanks!
Nancy Turner
Is it YOUR wedding dance? :-)
I suggest that you begin with a Grand March. Plan ahead (conspire) with the
newly wedded couple and families to assign an order of precedence. This
makes it a lot easier to "encourage"more attendees to join in. You might then
immediately try something simple like the Haste to the Wedding Sicilian
Circle dance. You will know how things will go by the end of the second dance. A
Fan Dance is another crowd-pleaser that can get virtually everyone in on it.
(I had a blind individual dance it and the Virginia Reel at a dance
yesterday!) The Pat-a-Cake Polka is also a very inclusive and easy dance to teach.
Good luck!
John B. Freeman, SFTPOCTJ
Hi All,
I'd like to say that I called Zodiac last night, but this community
knew it so well that a walk through or prompting through wasn't
required! The band started playing, it was obvious they all knew it,
and off we went! It was helpful to discover in advance of the
evening that there are variations to the lyrics and the moves. In
addition to the version that Martha shared, I now know this:
Lyrics
1) Here comes Zodiac, Zodiac, Zodiac, here comes Zodiac all night long.
2) Step-back Sally, make a little alley, step back Sally all night long.
3) Here comes Sally, walking down the alley, here comes Sally, all
night long.
4) Here comes the other one, just like the other 1, here comes the
other 1 all night long.
5) I looked down the alley, and what did I see? A big fat man from
Tennessee.
6) I betcha five dollars, you can't do this! I betcha five dollars,
you can’t do that! To the front to the back, side-side-side! x2
7) Lean waaay back, you've got a hump on your back! x2
8) You do the camel’s walk, you do the camel’s walk. (Quietly)
Moves:
1) Hands crossed with Partner across the set: sawing motion.
2) Step to beats, backing away from partner to make an "alley"
down center of set.
3) First one of top couple, makes way down set.
4) Second person (or couple) follows.
5) Hand flat above eyes across to Partner; hands delineate a
large belly.
6) Wag right finger, then left finger at partner. Hop to pattern x 2
7) Lean way back; reverse to lean way forward x 2
8) Move one step at a time towards their partners again and take
hands.
Thanks for the help.
Nancy Turner
Waitsfield VT
Techno contra is out there. It's an intriguing idea to adapt a ONS
approach to that context. I hope there's someone who will take it on!
~ Becky Nankivell
Long Beach/Tucson
> Date: Fri, 28 May 2010 16:27:06 -0700 (PDT)
> From: Alan Winston - SSRL Central Computing
> <winston(a)slac.stanford.edu>
> To: callers(a)sharedweight.net, trad-dance-callers(a)yahoo.com
> Subject: [Callers] Youthy gig (for free admission to a camp-based
> electronic music festival) in Northern Californa July 4 weekend
> Message-ID: <01NNNN6XTSOYA5TDBZ(a)SSRL.SLAC.STANFORD.EDU>
> Content-Type: TEXT/PLAIN; CHARSET=us-ascii
>
> Gang --
>
> Alan Winston here.
>
> I'm forwarding an offer/request from Liz Donnelly ( lizdonnelly(a)gmail.com ),
> which might be interesting for the right person. The deal is that this is
> something like the fifth year of a pretty-rustic electronic music camp (actual
> camping, but with Really Big Speakers) over the July 4th weekend, in rural
> California maybe 90 miles from Sacramento. They do a live-music party during
> the event, and Liz had been to a contra dance and that would be a cool thing to
> introduce to their group.
Gang --
Alan Winston here.
I'm forwarding an offer/request from Liz Donnelly ( lizdonnelly(a)gmail.com ),
which might be interesting for the right person. The deal is that this is
something like the fifth year of a pretty-rustic electronic music camp (actual
camping, but with Really Big Speakers) over the July 4th weekend, in rural
California maybe 90 miles from Sacramento. They do a live-music party during
the event, and Liz had been to a contra dance and that would be a cool thing to
introduce to their group.
(I'm thinking barn dance/ONS material myself.)
They have no budget, but would offer free admission to the whole campout (which
is somewhere between $85 and $125, and has sold out, so you don't get in any
other way) for somebody to do this one-evening gig.
That's obviously a lot more interesting if you want to bring a tent and hang
out in the woods and swimming hole with a bunch of artsy, communitarian,
youngish, electronic music heads. (The sponsoring group runs a Tuesday night
party at Burning Man, if that sets your expectations at all.)
(I am not a big tent-camping fan and I have a limited tolerance for Really
Loud, and I'm busy that weekend, so I'm really not the guy. But I kinda think
anybody who took the gig and enjoyed being there would be doing god's work in
bringing them some engaged-with-each-over community dancing, so I volunteered
to put the opportunity in front of the biggest caller groups I could find.)
If you want to do this or find out more about it, write to
lizdonnelly(a)gmail.com, not to me. (But if you end up doing it, or find out
some utter showstopper, report back!)
Here's Liz's note:
========================================================================
Hi there,
My name is liz and i've got a long shot request for you: I am helping to
coordinate a camp out party in Beldon CA this summer. It is largely an
electronic music party, but each year we have a smaller party within the
party that often has live music. This year the theme for that party with in
the party is county/southern themed. In brainstorming activities for that
part of the event, there was lots of enthusiasm exposing our group to contra
dancing or partner dancing style.
*So, I am looking for someone who might be able to teach contra, or two step
or some other partner/group dance that fits well with in a country style
theme. *
I've done some contra dance & loved it: I love the way it is truly a
community dance and gives one an opportunity interact with so many other
dancers through the dance, for this reason, I think it would be fun to bring
to a community of dancers who mostly dance solo to electronic music.
However, I think part of why I loved it so much was I was dancing with lots
of people who knew what they were doing, so my missteps were easily
corrected and I could still feel the flow of the dance. I don't know how
well it would work in a group where just about no one will have ever done
contra before. So, this is why I am reaching out to you all... is this
something that is doable? or should we focus on finding a teacher for a more
partnered style of dance?
Lastly, and perhaps most awkwardly :-) this event is put on at low cost and
most of the folks involved volunteer their time for the fun of it. We do
pay the musicians & artist but all of the budget for the party within the
party has already been allocated for the band. So, I'm looking for someone
who might think this sounds like such a super fun event that they would want
to go to, and in exchange for a ticket could teach some dance. Here is the
link to the event. http://priceless.false-profit.com/.
Please let me know if you or someone you know might be a good fit.
Thanks!
L.
-------------------------------------------------------
Over to you.
-- Alan Winston
SF Bay Area, California
--
===============================================================================
Alan Winston --- WINSTON(a)SSRL.SLAC.STANFORD.EDU
Disclaimer: I speak only for myself, not SLAC or SSRL Phone: 650/926-3056
Paper mail to: SSRL -- SLAC BIN 99, 2575 Sand Hill Rd, Menlo Park CA 94025
===============================================================================